Oh So Geeky

“ In Sickness and In Hell.” Melting ice sculptures. Sibling rivalries. A mother’s cringe-worthy honeymoon advice. Plenty of mishaps can and will throw off a bride’s special day. Perhaps nothing more can cause such damage than when an ex-flame shows up out of nowhere and that ex just happens to be….Dave. Also known as Satan. The horror of tying the knot has never been so much fun than in director and writer combo Jono Mitchell and Madison Hatfield’s latest film Courtney Gets Possessed. When soon-to-be-newlywed Courtney (Lauren Bugioli) becomes possessed by Dave (Jonathon Pawlowski), her bridal party – including type A maid of honor Lexi (Aditi George), jealous sister Caitlin (Madison Hatfield), and groom’s disapproving sister Jasmine (Najah Bradley) – race to exorcise Dave out of the picture for good before he makes their beloved friend tie the cursed knot for all eternity. Following in the footsteps of famed classic The Exorcism and hit-comedy Bridesmaids , Mitchell and Hatfield ...

I've only been a Swiftie for a good six or seven years. I always kinda question my stance in the fandom, given that I'm not afraid to speak out against things that I disagree with and haven't been following her career since the beginning (which I guess earns some the 'real stan' badge or something on social media). But the depth of my admiration for her springing out is not something that I'm genuinely aware of until I pretty much become the resident Swiftie in close circles. With the 1989 re-recording on the way, and much of the publicity this year for the Eras Tour, Speak Now re-release, and the hubbub with the NFL, has been giving me overexposure vibes via 2015 right before she got cancelled. Going into this, and being a big lover of concert films in general, I was very much giving neutral energy just to keep my expectations at bay and mostly expecting to have a nice day out from my hellfire workplace. And, what in turn ended up happening was feeling like not...

Humans have only one ending. Ideas live forever. Contains slight spoilers

The muddled execution of Us didn't make me question what Jordan Peele could do next. He's only three films into his career, and doing all right for himself despite the divisiveness surrounding his last film. Still, with so little time to prepare my hype in these 'The Myans Were Wrong' times, Peele has regained stride from Get Out . 

For the past four years I’ve been playing a torturous one-sided game of 'Where in the world is Ryan Gosling?' Without hesitation or any expectations, The Gray Man answered that question. And the answer is pretty much everywhere - Bangkok, Hong Kong, Croatia, Berlin, Florida. Despite the impressive array of settings for the Russos' latest Netflix project, and the streaming service making me wait two years for this with barely any promo tours of my baes Ryan and Chris...the film itself is spectacularly bland. Fun? Yes. But bland. My long-awaited return of Gosling brings him to play a so-called violent prisoner picked up from the CIA to do their dirty work as Sierra Six aka American Bond. On a mission to kill another target, he realizes his time is up. A hotshot new director is hunting the agents in the shadows like Six ~for reasons~ and is forced to go on the run as a rogue assassin Lloyd Hansen (Chris Evans) guns him down.

Is Batman overrated? Aren't there more superheroes to make movies about? Isn't a big reason why some feel Batman is overrated is because he's gotten so many adaptations - almost as much, if not more, than Superman? It's hard to ignore these questions as another reboot releases this Spring and takes the world by storm. However, when its long-awaited hype promises to do something different with the Caped Crusade and delivers, it's almost impossible to not acknowledge how an iconic character can once again seem new. Director Matt Reeves had a very specific vision that made Warner Bros want to take another shot at the eternally brooding Bruce Wayne. It's that vision which makes going to the cinemas worthy again, especially after the past two years we've had. His universe is designed specifically for a cinematic experience with Michael Giacchino's unpredictable score, larger-than-life cinematography, and visceral production design. Set against the darkest d...

We’ve been looking towards the cosmos to understand ourselves since the beginning of time. For those who have venture closer than admiring space from afar, abductees or the families left behind try to make sense of what happened and why. It can be a tumultuous experience struggling to believe their own encounters and facing skeptics who question them. In writer/director Jefferson Moneo’s latest film, Aurora (Camilla Rowe) has been searching for answers since she was a young girl and witnessed her mother inexplicably disappearing into the night sky. Years later as an adult, she’s compelled to join a UFO cult The Cosmic Dawn seemingly finding the community she's needed until she discovers its leader Elyse (Antonia Zegers) is not who she seems to be. Aurora is the central anchor to take us through the effects of her life before joining the group, her indoctrination, and the escape attempt afterwards. Largely a model before turning to film, Camille Rowe only has a few credits under...