Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Friday, June 14, 2019

Quick Tv Reviews: The Orville, Survivor: Edge of Extinction, What We Do In The Shadows

With all of the streaming services available and tapping our fingers on apps to find exactly what we want, it's a little odd to talk about traditional shows - those old things we used to wait wait-to-week to watch an entire series unfold. The Orville, Survivor: Edge of Extinction, What We Do In The Shadows recently wrapped up their latest series, and were some of the traditional shows I enjoyed this past Spring. They may not be "on" or available right now, but thought it'd still be fun to share my thoughts on their latest seasons.

What are you watching right now? anything on streaming or traditional tv? Let me know in the comments.

Tuesday, November 27, 2018

Annihilation (2018) Is One Of The Years Underrated Sci-Fi Flicks

We need more sci-fi movies with women. I’ll point you to director Alex Garland’s Annihilation as one of the most recent reasons why. Despite having a familiar plot of an isolated team searching an almost alien-like treacherous land, the film hypnotizes you with its bizarre world and the mystery of unanswered questions. The movie's cast, cinematography, and world-building is satisfying enough on its own with what it gives to the story but also leaves you wanting more.

Based on the trilogy by Jeff VanderMeer, a mysterious translucent orb looms over Area X. No one knows how or why it came to fruition, just that its electromagnetic power slowly absorbs everything in its wake. Anything or anyone that crosses the Shimmer’s threshold is never to be seen or heard from again. That is until cellular-biology professor Lena (Natalie Portman) is inexplicably reunited with her husband (Oscar Isaac), a soldier who entered the Shimmer as part of a military operation and was the only survivor to come out alive but suffering ill effects from being inside. Curious to venture into the heart of the orb and find out what happens inside, Lena and four other women - psychologist Dr. Ventress (Jennifer Jason Leigh), paramedic Anya Thorensen (Gina Rodriguez), anthropologist Cass Shepphard (Tuva Novotny) and physicist Josie Radek (Tessa Thompson) - make one last dangerous trek searching for answers.

On the surface level, there isn’t a lot about Annihilation that’s unique from many other sci-fi counterparts. The story is something that we’ve seen before: a uniquely qualified group of individuals enter an unknown world and nothing can prepare for them for what they’re about to encounter. We’re left with various questions about what happened, and the suspense is left up to both the cast of characters and the environment (which becomes a character on its own) to tease us with what happened: Were the  previous military groups driven crazy and murdered each other? Did something else kill them - how? What? The longer Lena’s squadron spends in the orb, their doubts and terror about the environment start tipping the scale of how they struggle to trust each other and the deathly situation that they’re in.

What lies underneath the surface of the film is how the story and direction is gorgeously haunting. The Shimmer's overgrown forests and peaceful isolation feels like something out of a fairytale. But lurking behind the illusion of its dream-like atmosphere are changes that the team could never imagine: People become one with the landscape, animals transform into terrifying beasts, and the fact that nobody can really live within its translucent walls increases any sense of seeing civilization again. As Lena and her comrades follow its trail of breadcrumbs about the military units that came before them, their resolve starts to crumble – there really is no such thing as going back. The Shimmer is filled with tension and wonder about the unknown, a lingering suspicion about what will happen next; it has a foreboding peacefulness to it that’s matched by violence; life equals death; destruction breeds creation. The longer you spend with Lena and the group, the more you want to know answers too, and to see who might survive, die, or how the Shimmer changes them.

The film is very much an ensemble piece. Portman’s career over the past decade has truly flourished, churning out all kinds of complex performances from Black Swan to Jackie. As Lena, she offers a formidable leader to the group and someone to anchor the story to as she tries to navigate what’s going on around her – she’s vulnerable, smart, and resilient. The rest of the characters could come across as a little trope-ish compared to similar action / sci-fi movies, but they create a tight camaraderie between them that makes their tentative unity and division almost palpable. It’s not hard to fall in love with the film’s overall aesthetic, to be honest: Five women walking into the Shimmer ready to get answers and kick ass.

Written and directed by Alex Garland, Annihilation is only the first step in a trilogy, and unfortunately, he only had the intention of making the first one. When he started the project, the author's manuscript was just coming together, and Garland scraped the series' ideas together to form his own vision - ironically, just like The Shimmer. His film's world-building asks big questions, and the road to answering them is chilling and unexpected. Annihilation works well enough as a stand-alone, but knowing what happens next would’ve been interesting for the rest of the trilogy to be made and explore. There’s honestly nothing wrong with Garland's film, except the shame of wanting more and being forced to wait for another director to take the series on again. One can only hope that this breeds similar yet different sci-films in the future.

Rating: ★★
Have you seen Annihilation? What did you think?

Wednesday, March 7, 2018

Cloverfield Paradox (2018) Is One Sequel Too Many for the Apocalyptic Franchise

Cloverfield Paradox movie review
Photo Credit: Netflix
Ten years ago Cloverfield thrust movie goers into NYC with terrifying found-footage of a monster invasion. It was an original film with a massive organic marketing machine that became a cult hit. Fast forward eight years, after a long string of will-they-ever-make-it hype, 10 Cloverfield Lane was an ambitious, successful follow-up with a different take on the-end-of-the-world. Even though the series's third installment, Cloverfield Paradox, follows in their footsteps, it's missing all of the same qualities that made the first two films so darn good.

Dropping on Netflix after the 2018 Super Bowl without any previous hype, the latest version of events leaves Earth behind to cover the apocalypse from space. As countries go to war at home over energy crises, an international space crew aboard the Cloverfield space station tries to utilize Shepard particle accelerator to create a renewable energy source. The downside is that executing the particle can create alternative realities. The crew's gamble poses numerous threats and questions: what will their actions do for those at home? is the sacrifice to leave their families behind worth it if they never return? did their vortex transplant monsters on Earth?

The one thing the Cloverfield franchise had going for it was its thrills. Not only its ability to release a new movie out of nowhere and let fans rush to see it, but also its ability to be scary. Cloverfield dropped movie goers into a first-person perspective as a group of friends try to survive a Godzilla-like attack. 10 Cloverfield Lane kept its suspense claustrophobic with a young woman taken in by a conspiratorial survivalist and making us question if he was crazy or telling the truth. Paradox starts off with a cool enough premise as the particle accelerator hurls chaos on the Cloverfield station. Along with the crew as they one from one crisis to another, you're supposed to feel like you don't know what's going to happen next. But unfortunately, the film's inspiring horror elements become too commonplace. After the first thrilling curveball, the script recycles "wouldn't it be scary if this happened" ideas every ten minutes; most of the intended scares of dimensions colliding are gimmicky. This isn't necessarily bad if you just want to enjoy a popcorn flick, but if you want more than the same tactics to make you scared it's unexciting.

If there's one thing the movie has going for it is the impressive cast, which includes but not limited to
David Oyelowo, Daniel Brühl, John Ortiz, Chris O'Dowd, Aksel Hennie, Zhang Ziyi. Gugu-Mbgraw and Elizbeth Delecki are the only refreshing entries with each having their own reasons for wanting to manipulate the alternative reality they've fallen into, but even their agency boils down to a simple process of elimination instead of anything deliberate. Unfortunately, the abundance of talent can't save the film from the fact that their characters are the most basic tropes: each one representing their home country and bringing their international conflicts (and stereotypes) from home on board.

Similar to its sister sequel, Paradox wasn't originally connected to the Cloverfield universe. The script was written with the idea of it being released into theaters as its own solo flick. Unlike 10 Cloverfield Lane which found its place in the apocalypse universe, Paradox might've worked better on its own. Despite the decent reputation of Netflix making its own content and intentionally trying to be a great sci-fi flick, Cloverfield Paradox makes for a great SYFY flick on the level of Sharknado. With the Cloverfield name attached to it, it could've been a lot better.

Rating: ★☆☆
Have you seen Cloverfield Paradox? What did you think?

Friday, December 29, 2017

Blade Runner 2049 (2017) Is More Than Just a Replica

Photo Credit: Blade Runner 2049 / Warner Bros. Pictures
For thirty-five years Blade Runner fans have waited for the next chapter of director Ridley Scott's cult classic. His grim noir world focused on a future 2019 where LAPD officer Deckard (Harrison Ford) retires replicant slaves (androids) who have gone rogue against their human masters and ends up falling in love with one of his targets (Sean Young). After audiences were left wondering the whereabouts of humanity and its android population, its sequel Blade Runner 2049 succeeds at being more than a replica.

Set in 2049, the world has continued to fall into economic and enviromental despair as a genius with a godlike complex Niander Wallace (Jared Leto) has reinvented replicants with a shorter lifespan and wired to obey their masters. Agent K (Ryan Gosling), one of the newest models, is tasked to "retire" older rogue versions like Deckard. When one target sets K off on a quest against Wallace's corporation, he's bound to discover a dangerous truth about himself and his own kind.

While the original film and all of its uncut versions toyed with the notion of whether or not Deckard and Rachael were replicants or not, and a deeper philosophical meaning of what it means to be either, 2049 carries a much-heavier weight about love, humanity, and the soul. Establishing a steady history in film with intrigue and science-fiction, director Denis Villenue's vision dips the story back into its futuristic roots and manages to pull off an impressive, complimentary follow-up. (This review contains spoilers - read at your own risk!)