Directed by D.C. Hamilton, The Fare immediately grabs your attention with its nostalgic atmosphere. A lone cab out in the middle of nowhere with nothing but two passengers, a mysterious radio show, and an electrical storm blocking their trip makes you feel like you’ve been transported into The Twilight Zone. There’s the natural sense, like with any sci-fi flick, that something else is brewing underneath the surface of what’s occurring on-screen. The use of special effects between the stretch of road Harris’s cab cruises over and over again as well as the black and white cinematography gives The Fare a production value of a much larger studio. Yet, as Penny and Harris’s relationship unfolds, the film also holds onto the intimate character experience of an indie, and lets the film unfold more than the initial sci-fi impression. Despite the seemingly simple premise, there’s a lot at play with the production between the characters and story, and Hamilton manages it with ease.
Similarly, some films falter when its cast can’t live up to the story, or the story engulfs the characters. But as a two-person show (three including the voice-over of Jason Stuart), it’s hard to believe how much the film relies and thrives on the deft performances of Brinna Kelly and Gino Anthony Pesi.
For Penny and Harris to work as individual characters reliving the same moment, as well as a partnership that evolves and flows with the story, their chemistry has to shine from the start. Even though the characters have been trapped together for an inordinate amount of time, their connection must be strong enough to sense that something else is going on between them – it’s not too fresh or too worn down to ruin the allusion of how long they’ve running into each other. They have a real interest in each other as well as a light-hearted banter and connection that makes you root for them. Both Kelly and Pesi exude that balance as their characters grapple with the routine of what they’ve experienced before as well as the startling discoveries that come along. It’d be difficult to believe that Kelly and Pesi don’t break out into the wider span of what Hollywood has to offer at some point, and hopefully The Fare will give them a bigger launching pad.
While this film works seamlessly together with the actors and production, The Fare’s greatest strength is its script. The direction and look of the film will grab your visual attention, and the performances will hook you emotionally, but the set-up of mystery and drama unfolds throughout Kelly’s plot with an impressive amount of pacing. The story rarely lags or feels overdone as the sci-fi element of a time loop gradually explores the loneliness of Harris’s lifestyle, the loss and yearning for connection, and contemplating the unknown. Kelly offers enough questions to keep you guessing about why and how the characters are trapped together, but doesn’t limit the characters’ own story. As the movie moves towards the ending, it’s surprisingly fitting how the film doesn’t throw in a twist just to be shocking as many sci-fi films manage to do. By all means, there is a twist - it’s not necessarily ground-breaking, but you also can’t say for sure you saw it coming. It fits well into the story that Kelly lays out, and depending on your guesses, should still leave you feeling satisfied.
Hamilton’s work on the production offers a visual appeal for longtime fans of The Twilight Zone, while Kelly’s script digs just as deep as Rod Serling’s character studies. Being forced to relive a moment or being trapped by the limitations of time has been done before throughout film and various genres – Memento, Groundhog’s Day, The Time Traveler’s Wife, and About Time, to name a few – yet none of them can quite compare to The Fare.
As always, I provide an honest critique for every film that I screen, and hope that you will check out the review and interview below. The Fare is currently available on YouTube, Google Play, and Amazon.
Rating for The Fare: ★★★