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Showing posts with the label horror

Backrooms (2026)

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A picture of an abandoned room plastered in worn pastel yellow wallpaper took the internet by storm on 4chan in 2019. The internet myth went viral as millions of people came across the anonymous user's post on a paranormal board, and were collectively hit with a feeling of familiarity and surreality. Over the years, every other person's thoughts layered and confirmed the suspense what could this place mean? until it was reimagined on youtube with found footage films by director Kane Parsons. Individually, and collectively on reddits like r/creepypasta, the lore expanded further - turning the office walls and rooms into labyrinths filled with endless background noise, sterile florescent lights, and entities or monsters inhabiting the space. This post contains spoilers.

Hold Your Breath (2024)

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Set during the Dust Bowl in the 1930s, fiercely protective mother Margaret Bellum (Sarah Paulson) goes to extreme lengths to protect her children from paranoia and illness in recluse Oklahoma.  For me, the obvious main hook Hold Your Breath with is relating elements from the 2020 COVID lockdown through the dust bowl – the circumstances of survival to be careful what you breathe to avoid illness, or death, and Bellum taking extra precautions to survive. And, it also tries to branch out with sinister lore of a Grey Man who will make the characters do inexplicable things for breathing in too much of him (too much dust) and contrasts that with a lowly stranger ( The Bear’s Ebon Moss-Bachrach) who claims to be a healer. Haunted by her own past and watching more lives getting claimed around her, the desperation, the grey man, and the increasing unreliability of Paulson's point of view runs nicely side by side, morphing and transforming into one another until you can't really tell w...

Courtney Gets Possessed (2023)

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“ In Sickness and In Hell.” Melting ice sculptures. Sibling rivalries. A mother’s cringe-worthy honeymoon advice. Plenty of mishaps can and will throw off a bride’s special day. Perhaps nothing more can cause such damage than when an ex-flame shows up out of nowhere and that ex just happens to be….Dave. Also known as Satan. The horror of tying the knot has never been so much fun than in director and writer combo Jono Mitchell and Madison Hatfield’s latest film Courtney Gets Possessed. When soon-to-be-newlywed Courtney (Lauren Bugioli) becomes possessed by Dave (Jonathon Pawlowski), her bridal party – including type A maid of honor Lexi (Aditi George), jealous sister Caitlin (Madison Hatfield), and groom’s disapproving sister Jasmine (Najah Bradley) – race to exorcise Dave out of the picture for good before he makes their beloved friend tie the cursed knot for all eternity. Following in the footsteps of famed classic The Exorcism and hit-comedy Bridesmaids , Mitchell and Hatfield ...

Nope (2022)

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The muddled execution of Us didn't make me question what Jordan Peele could do next. He's only three films into his career, and doing all right for himself despite the divisiveness surrounding his last film. Still, with so little time to prepare my hype in these 'The Myans Were Wrong' times, Peele has regained stride from Get Out . 

Relic (2020) Adds A New Twist to 'Haunted House' Classics

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Age creeps up on us steadily. One second we're young and free, and the next we're burdened with too many responsibilities or we don't want to be a burden to our loved ones. What becomes of us when we age and those around us is at the heart of  Relic  - a horror film that makes us come face-to-face with the shock, confusion, and (hopefully) understanding aging inevitably causes. After their grandmother Edna (Robyn Nevin) is reported missing, her daughter and granddaughter Kay (Emily Mortimer) and Sam (Bella Heathcote) journeys to her house to find out what happened and discover signs of disarray that makes them realize how severely she's been struggling on her own. When Edna mysteriously re-appears as if nothing happened, her erratic behavior forces them to realize there might be more to her dementia than meets the eye.

(M.O.M.) Mothers of Monsters (2020) Compels Us To Question A Mother's Love

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One of the scariest crossroads a parent can imagine is their children heading towards a destructive path where they want to cause themselves or others harm. What’s worse is when their child exhibits violent tendencies, but they aren't able to seek proper help and are left to their own devices. Tapping into the dysfunctional relationship between a mother and son, as well as the violence springing from young adults today,  M.O.M. (Mothers of Monsters)   tackles mother’s intuition and societal paranoia. Concerned mother Abbey (Melinda Page Hamilton) has recognized a pattern of mental health issues with her son Jacob (Bailey Edwards) since he was a young boy. Having grown up as a teenager with an obsession for video games and Nazi paraphernalia, Abbey now questions whether her son is planning an attack on his school. Left to take matters into her own hands, Abbey rigs their house with an elaborate surveillance system in the hope of helping other mothers recognize the warn...

Let's Go To There: Halloween Horror Nights 2019

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When Halloween comes around, it's time go to Universal Orlando's Halloween Horror Nights. This year, my sister and I snagged Frequent Fear Passes. Instead of packing all of Universe Orlando's haunted houses into one night, we attended the event over and over again to face our fears (and there were quite a few of them). It's been a real treat to scream our hearts out over and over again.

Book VS Movie: Beverly Marsh

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Stephen King has created quite a few memorable female roles – an author's obsessive admirer in Misery , the telekinetic outcast in Carrie , and of course, Beverly Marsh in IT . With Andy Muschietti’s reboot of King’s novel and the reemergence of The Losers Club, I thought it’d be fun to talk about how close the character of Beverly Marsh manages to be different and similar between the book and duo-logy. This post talks about topics related to Beverly's arc in the book and movie including abuse, sexual violence, and puberty. Read at your own risk.

My Love / Hate Relationship With It: Chapter Two (2019)

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Warner Bros. Pictures It's been two years since director Andy Muschietti's adapation of IT took the horror genre by storm. Fans have been craving, dreaming, and waiting for the second half of Stephen King's novel to finally wrap up The Losers Club's battle against Pennywise. In a weird twist of fate, the sequel combines enough elements from the book to be a faithful adaptation, but doesn't organize it enough to feel like a satisfying final chapter. This review contains spoilers and flashing gifs- read at your own risk!

Us (2019) Works Best in Fragments But Not As A Whole

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Universal Pictures In 2017, Jordan Peele made the unforgettable switch as a comedy veteran to masterful horror director. His debut film Get Out stunned audiences with complex storytelling, attention to detail, and ability to set an allegory of the real world into the horror scene. While it’s natural to expect just as much from him for his next film, Us turned out to be a lukewarm experience in its story and script. Much of it works on paper, but what's presented on screen leaves as many open-ended questions as it answers. The Wilson family – Adelaide (Lupita N’Yongo), Gabe (Winston Duke), Zora (Shahadi Wright Joseph) and Jason (Evan Alex) - venture to a lake house near Santa Cruz for a fun vacation. Their harmless trip to the beach turns deadly when mysterious clones emerge around the country to hunt their other halves down. A traumatic event from Adelaide’s past, where she encountered her own doppelganger, brings back haunting memories, but they also might be the key ...

Let's Go To There: Halloween Horror Nights 2018

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Every autumn Universal Studios Florida and Hollywood transforms its theme parks under the cover of darkness into scare zones and themed houses. This year, Stranger Things , Poltergeist , Halloween 4 , and The Purge  were just some of the iconic movies and shows to arrive at Halloween Horror Nights at Universal Orlando Resort . To be honest, I'm not an avid horror fan, but I like the occasional scare. When my sister and I saw the line-up of houses for this year's HHN, we cast our fears aside to celebrate Halloween a little differently this year. Because it caters to all kinds of fans (mostly 18+) who love to get more than a little freaked out, the event turned out to be perfect for me and my sister to attend.

A Quiet Place (2018) rings in another exciting wave of terror

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Platinum Dunes / Sunday Night For the past few years nailbiting and bloodcurdling movies like  The Witch , It , and Get Out  have reinvigorated the horror genre. Though it's never been a favorite of mine, the latest suspenseful flick  A Quiet Place's continues to make you think twice about where the genre will take us next. This review contains spoilers - please read at your own risk.

mother! (2017) sinks under its own ambition

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Photo Credit: mother! / Paramount Pictures It's difficult to have survived 2017 without hearing of mother! , a movie drawing critical acclaim as a masterpiece to Worst Movie of the Century . Often layered with symbolism and metaphors, director Darren Aronofsky doesn't err on the side of caution. Completely untamed, here he strives to weave a story about humanity, God, and mother nature (my interpretation at least) that's less worthy of the title's exclamation point and more of a question mark that fails makes waves. mother (Jennifer Lawrence) is rebuilding a beautiful house as her poet husband Him (Javier Bardem) struggles to find his next big inspiration. As she strives to make a paradise for him and satiate his zapped creative energy, nothing seems to be good enough - her devotion, attention, love, and care. When strangers visit in the middle of the night inviting war, barbarism, and a cultlike devotion, Him and their unwanted guests bring with them the end of t...

My Cousin Rachel (2017) is the Victorian-horror-romance we need

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Fox Searchlight Pictures Based on the novel by Daphne DuMaurier, director Roger Michell creates a spellbinding Gothic horror that fits our every period-drama need. In the beginning, the story seems like an open-and-close of murder, but languidly turns into a tale between an unreliable narrator and a Victorian femme-fatale. Observing from afar, a young man Phillip (Sam Claflin) becomes suspicious about the torrid affair between his cousin Ambrose and companion Rachel (Rachel Weisz). When his revered fatherly figure dies rather quickly and under mysterious circumstances, Phillip declares justice for his loss but instead finds himself down a path Ambrose took: falling under her spell. So rarely does a Gothic horror movie plant a very simple idea in our heads, but My Cousin Rachel sparks us to ask did she or didn't she, and then makes us question our choice every step of the way. From the beginning, Phillip's beliefs about her guilt and wanting to make her pay for his re...

Wonder Women: Lisa Freemont in Rear Window (1964)

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When one thinks about the intriguing elements of Alfred Hitchcock's filmography, the abundance of "icy blondes" he utilized throughout his career is hard to ignore. He worked with a myriad of starlets like Tippi Hedren, Janet Leigh, and Kim Novak, establishing them as femme fatales and victims on-screen. In celebrating Halloween by watching Rear Window , Grace Kelly's role as Lisa Freemont felt like a great character to highlight for  my Wonder Women series . Elegant and tenacious Grace Kelly dazzles in the classic thriller about an injured photographer L.B "Jeff" Jeffries (played by James Stewart) who's cocooned in his apartment and starts spying on his neighbors. Getting caught up in their own imaginations and theories, they suspect a grizzly murdered took place just across the street and try to prove their accusations to the authorities. Throughout his career Hitchcock examined the themes of a seemingly perfect crime, and the morals that came al...

28 Days Later (2002) brilliantly infects the zombie genre

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Photo Credit: 28 Days Later / Fox Searchlight Pictures Zombies are "in" right now, thanks to mega-popular comic book/tv series The Walking Dead and films like Shaun of the Dead . In 2002, the undead was just coming back onto the scene thanks to a revitalizing spin from director Danny Boyle, 28 Days Later isn't exactly about an undead apocalypse. A virus causing a violent rage unleashes when an animal-rights groups' mission to rescue lab-tested monkeys fails. People don't die and come back as zombies though, as is the lore of the genre. The rampant disease spreads when uninfected humans come in contact with the carriers with contaminated blood or saliva. Instead the infected become animalistic having no conscious and are ignited with a bloodthirsty rage, but aren't technically flesh-eaters. Jim (Cillian Murphy) wakes up in a hospital smack dab in the middle of the post-apocalypse. The streets are barren, the government has fallen, and the world appe...

Horror Movie Survival Kit Inspired by ManCrate

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Halloween is the perfect time of year to watch scary movies. A group of high school students are attacked by Ghost Face. A hotel won't let you leave one of its rooms. A family won't leave the house they just bought, even though it's filled with poltergeists or ghosts. As we watch in terror as characters try to evade their serial killers or phantom hosts, at times don't we all think we have what it takes to survive a horror movie? Well, we're in luck!  ManCrates  focuses on creating awesome gifts for men in custom wooden crates that he has to open with a crowbar. In celebration of the Halloween season, the awesome people at ManCrates asked me to come up with what I would want in my own dream crate that would help me and others make it to the end credits of a horror flick. There are a few obvious essentials to surviving a horror movie like being familiar with the commandments and carrying a few in-case-of-emergency aids (flashlight, phone chargers, etc)....

Blockbusted Blogathon: The Haunting (1999)

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My weekends are often filled with the happy voluntary indulgence of watching blockbusters - Speed , Twister , Poseidon - and the list goes on and on. Across the board online is a movie that earns not one but three worst movie accolades; remake, horror film, and book adaptation. In terms of fulfilling a guilty pleasure, let's talk, rave, and analyse the insanely-awful movie The Haunting (1999). As the story goes: Eleanor “Nell” Vance (Lily Taylor) has a terrible string of bad luck and arseholes ruling her life. After caring for her invalid mother for eleven years in a rundown Boston apartment, her sister and boyfriend evict Nell from her home via her mother's last wishes. Nell receives a phone call to participate in a sleep research study helmed by Dr. David Marrow (Liam Neeson) in an isolated mansion on Hill House. She uses her newfound "freedom" and nightmares as a means for escape to join the experiment. Once all have arrived at the manor - Marrow and fellow p...