|Photo Credit: Netflix|
Dropping on Netflix after the 2018 Super Bowl without any previous hype, the latest version of events leaves Earth behind to cover the apocalypse from space. As countries go to war at home over energy crises, an international space crew aboard the Cloverfield space station tries to utilize Shepard particle accelerator to create a renewable energy source. The downside is that executing the particle can create alternative realities. The crew's gamble poses numerous threats and questions: what will their actions do for those at home? is the sacrifice to leave their families behind worth it if they never return? did their vortex transplant monsters on Earth?
The one thing the Cloverfield franchise had going for it was its thrills. Not only its ability to release a new movie out of nowhere and let fans rush to see it, but also its ability to be scary. Cloverfield dropped movie goers into a first-person perspective as a group of friends try to survive a Godzilla-like attack. 10 Cloverfield Lane kept its suspense claustrophobic with a young woman taken in by a conspiratorial survivalist and making us question if he was crazy or telling the truth. Paradox starts off with a cool enough premise as the particle accelerator hurls chaos on the Cloverfield station. Along with the crew as they one from one crisis to another, you're supposed to feel like you don't know what's going to happen next. But unfortunately, the film's inspiring horror elements become too commonplace. After the first thrilling curveball, the script recycles "wouldn't it be scary if this happened" ideas every ten minutes; most of the intended scares of dimensions colliding are gimmicky. This isn't necessarily bad if you just want to enjoy a popcorn flick, but if you want more than the same tactics to make you scared it's unexciting.
If there's one thing the movie has going for it is the impressive cast, which includes but not limited to
David Oyelowo, Daniel Brühl, John Ortiz, Chris O'Dowd, Aksel Hennie, Zhang Ziyi. Gugu-Mbgraw and Elizbeth Delecki are the only refreshing entries with each having their own reasons for wanting to manipulate the alternative reality they've fallen into, but even their agency boils down to a simple process of elimination instead of anything deliberate. Unfortunately, the abundance of talent can't save the film from the fact that their characters are the most basic tropes: each one representing their home country and bringing their international conflicts (and stereotypes) from home on board.
Similar to its sister sequel, Paradox wasn't originally connected to the Cloverfield universe. The script was written with the idea of it being released into theaters as its own solo flick. Unlike 10 Cloverfield Lane which found its place in the apocalypse universe, Paradox might've worked better on its own. Despite the decent reputation of Netflix making its own content and intentionally trying to be a great sci-fi flick, Cloverfield Paradox makes for a great SYFY flick on the level of Sharknado. With the Cloverfield name attached to it, it could've been a lot better.
Have you seen Cloverfield Paradox? What did you think?