History has a way of repeating itself in Hollywood. When the same old stories are told, we’re stuck believing that the same people save or revolutionize the world over and over again. As female filmmakers look more between the lines of the past and its forgotten trailblazers, we begin to see just how much entertainment has scratched the surface. In a recent bout of solid female-driven World War II films, A Call To Spy continues to turn the tide of how cinema defines the “the greatest generation.”
Thursday, October 1, 2020
A Call To Spy (2019) Celebrates Women-Led Resistance
History has a way of repeating itself in Hollywood. When the same old stories are told, we’re stuck believing that the same people save or revolutionize the world over and over again. As female filmmakers look more between the lines of the past and its forgotten trailblazers, we begin to see just how much entertainment has scratched the surface. In a recent bout of solid female-driven World War II films, A Call To Spy continues to turn the tide of how cinema defines the “the greatest generation.”
Monday, August 3, 2020
Summerland (2020) Infuses the Wartime Genre with Magic and Love
Set in the English coastal countryside of Kent, academic researcher Alice Lamb (Gemma Arterton) becomes the guardian of a refuge child Frank (Lucas Bond) whose parents are fighting in the war. Despite the nearby town treating her as the “beast on the beach” for her unladylike behavior, Lamb and Frank develop an unlikely connection that helps unveil a lost romance with a former lover (Gugu Mbatha-Raw). As research about a fantastical island in the sky brings her closer to Frank, their time together draws more parallels between them than they ever could’ve imagined.
Friday, July 17, 2020
Relic (2020) Adds A New Twist to 'Haunted House' Classics
Age creeps up on us steadily. One second we're young and free, and the next we're burdened with too many responsibilities or we don't want to be a burden to our loved ones. What becomes of us when we age and those around us is at the heart of Relic - a horror film that makes us come face-to-face with the shock, confusion, and (hopefully) understanding aging inevitably causes.
After their grandmother Edna (Robyn Nevin) is reported missing, her daughter and granddaughter Kay (Emily Mortimer) and Sam (Bella Heathcote) journeys to her house to find out what happened and discover signs of disarray that makes them realize how severely she's been struggling on her own. When Edna mysteriously re-appears as if nothing happened, her erratic behavior forces them to realize there might be more to her dementia than meets the eye.
Monday, July 13, 2020
Hamilton (2020) Rises To The Hype
Thursday, May 7, 2020
Driveways (2019) Influence Lies In Its Slice of Life Simplicity
A single mother Kathy (Hong Chau) and her shy son Cody (Lucas Jaye) make a roadtrip to visit her late sister's house, unaware that she was a reclusive hoarder. Their plans to sort and sell gradually expand over the course of a summer, allowing Cody to develop a friendship with a Korean war veteran Del (Brian Dennehy) next door.
Friday, April 3, 2020
The Other Lamb (2020) Gives Rage A New Visceral Lease on Life
Deep in the wilderness away from civilization, The Shepherd (Michel Huisman) tends to his flock of wives and daughters who worship his every word. On the cusp of teenage-hood, Selah (Raffey Cassidy) begins experiencing strange visions about the only community and family she's ever known. When the group seeks to find a new Eden, everything Selah thought she knew about The Shepherd might lead to the freedom she's secretly seeking.
Monday, March 30, 2020
Clover (2020) Entertains the Dubious Nature of Luck in the Mob Genre
Mickey (Jon Abrahams) and Jackie (Mark Webber) Callaghan are about to lose the pub that's been in the family for generations. The night before they’re supposed to payback a sizable loan, Jackie loses it all while gambling. When local mobster Tony Davolio (Chazz Palminteri) offers one last opportunity to wipe the slate clean, the siblings must go on the run with a young girl Clover (Nicole Elizabeth Berger) after she accidentally kills Davolio’s son.
Friday, March 13, 2020
(M.O.M.) Mothers of Monsters (2020) Compels Us To Question A Mother's Love
Concerned mother Abbey (Melinda Page Hamilton) has recognized a pattern of mental health issues with her son Jacob (Bailey Edwards) since he was a young boy. Having grown up as a teenager with an obsession for video games and Nazi paraphernalia, Abbey now questions whether her son is planning an attack on his school. Left to take matters into her own hands, Abbey rigs their house with an elaborate surveillance system in the hope of helping other mothers recognize the warning signs.
Wednesday, February 26, 2020
Miss Americana (2020) Shines A Light On the Swift Narrative
In 2016, after the massive success of her fifth studio album 1989, Swift reached a new height of media overexposure and a public feud with Kanye West and his wife Kim Kardashian. When #TaylorSwiftIsOverParty trended worldwide for 24 hours, Swift was effectively canceled. The musician thought the world wanted her to disappear, and so she did – for a year. The question on so many fans’ minds will center on where Swift went during that time she disappeared, and this is where the documentary steps in.
Wednesday, February 12, 2020
To All the Boys: P.S. I Still Love You (2020) Recaptures The Rom-Com Magic
To All the Boys: P.S. I Still Love You / Netflix |
Lara Jean Song Covey's (Lana Condor) secret love letters that were never supposed to see the light of day end up in the mailboxes of her old school crushes. To save face from embarrassment and coming in-between her sister and an ex (to whom one of the letters is sent), Lara and one of her crushes Peter Kavinsky (Noah Centineo) start a fake relationship. Their attempts at keeping up with appearances while getting to know each other personally gives way to real feelings.
We last left the couple on the lacrosse field optimistically declaring their feelings for each other, but going back to Adler High School behind is tougher than they think. After risking it all and willing to take a chance on love, Lara Jean and Peter are no longer pretending to be a couple - they're the real deal. As Lara struggles to navigate her first real relationship, a fellow love letter recipient John Ambrose McClaren (Jordan Fisher) springs back into her life, leaving Lara to question what being in love truly means.
Where To All the Boys I've Loved Before brought us along on the journey of Lara Jean's struggle to trust giving her heart over to a real relationship instead of a fantasy, To All the Boys: P.S. I Still Love You brings into view the expectations Lara places on herself as she falls in genuine love for the first time. Both Lara Jean and Peter have to confront insecurities from past relationships (namely with Peter's ex Genevieve played by Emilija Baranac) - they must learn to shed the restrictions of their fake-ship and invest in each other wholeheartedly.
As perfect as love stories might read on the page, it's an entirely different challenge to experience them in real life. Offering a perfect mix of rom-rom chemistry and grounded, relateable performances, Lana Condor and Noah Centineo pick up where they left off, vibing off of each other as the characters gradually grow up. As the beating heart of the series, Lana Condor once again brings humor, heartbreak, and self-awareness to her role as Lana. She perfectly fulfills the role of the conflicted and personable heroine we don't often see in romantic comedies anymore. Next to Centineo's Peter whose energy is as contagious as over, Jordan Fisher's John steps into the role of the sensitive and artistic dreamboat who might steal Lara's heart with ease.
Despite the first film's release two years ago, it doesn't feel as if time has passed at all between the two films. The sequel makes a few major switches behind the scenes - the director's chair passes from Susan Johnson to Micha Fimognari, while Sofia Alvarez adds J. Mills Goodloe as her screenplay partner. From her splendidly bold and colorful costumes to cinematography by, Lara Jean's world takes us back to the nostalgic sphere of rom-coms that sweep us off our feet. Also serving as cinematographer, Fimognari keeps the visual palette from the first film, giving the trilogy a consistent atmosphere and look that you can't get enough of.
For the most part, To All the Boys: P.S. I Still Love You recaptures the same charm as its set-up, revitalizing the nostalgia for rom-coms of the past. It has more adorable characters, gorgeous costumes, and tender mishaps between the letter-writing love triangle that'll make you swoon as rom-coms should do. At times, it also expands its missteps, namely failing to let Lara Jean explore life outside of the confines of her view about and by Peter or John Ambrose. While the first film explored the similarities between Lara and Peter but balanced out the hiccups of their unorthodox arrangement, the consistent string of miscommunication and mix-ups limits the foundation of who they are individually. Some issues throughout their relationship, particularly Peter's inability to look past Genevieve, never exactly feels resolved or that the main relationship grows as much as it could. Subsequently, the cast's chemistry makes the story work even in its strongest and weakest moments where you can't help but feel like rooting for them.
Ringing in the old days of John Hughes's movies, To All the Boys: P.S. I Still Love You is a rare gem, continuing the magic of the first flick and becoming a solid follow-up for a trilogy. Led by effervescent star Lana Condor, the film offers an enthusiastic and heartwarming diversity to a round of complex and endearing characters. The story reminds us of what it's like to fall in love and the journey of learning to communicate and be vulnerable in a relationship. As a romantic-comedy series for a new generation, the charm and joy from the mini-franchise leaves us wanting more for its final and third installment.
Please Note: I was provided with a screener in order to watch this film. To All The Boys I've Loved Before and To All the Boys: P.S. I Still Love You is currently available to watch on Netflix.
Saturday, February 8, 2020
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Sparks New Life in the Comic Book Genre
Harley Quinn (Margot Robbie) has broken ties with The Joker, but the immunity her relationship brought has now expired. Formerly under the protection of her ex's power, Quinn’s gotta fend off Gotham City’s worst nightmares when they come to collect. As her emancipation invites more obstacles than she bargained for, Quinn’s sets off a rebellious chain-reaction with teen thief Cassandra Cain (Ella Jay Basco), marginalized cop Renee Montoya (Rosie Perez), vigilante Dinah Lance (Jurnee Smollett-Bell), and The Huntress (Mary Elizabeth Winstead against a diabolical club owner Roman Sionis (Ewan McGregor).
Friday, January 24, 2020
The Gentlemen (2020) Is A Typical Guy Ritchie Movie
STXfilms (United States) |
Saturday, January 11, 2020
Quick Movie Reviews
Sunday, January 5, 2020
Little Women (2019) Revitalizes A Classic for A New Generation
Sony Pictures Releasing |
Set during the Civil War, the March sisters face trials and tribulations with their place in the world. While Jo (Saoirse Ronan) aspires to be an independent writer, she struggles alongside her sisters Amy (Florence Pugh), Beth (Eliza Scanlen), and Meg (Emma Watson) to follow their passions or find economic stability through marriage.
Saturday, December 21, 2019
Star Wars: The Rise Of Skywalker (2019) Malfunctioned Beyond All Repair
Walt Disney Studios Motion Pictures |
In 2015, the Star Wars legacy was reignited with director and writer JJ Abrams’s The Force Awakens. A ragtag group of heroes fighting against the Empire 2.0 hit too close to home with A New Hope, but offered a chance to connect with a younger generation of characters and explore new plots. Namely, why did Luke Skywalker disappear? How did Ben Solo’s relationship with his uncle turn him to the dark side of the Force? Who was Rey from nowhere? The film was filled with endless possibilities that unraveled in the divisive follow-up The Last Jedi. Trying to answer as many questions as possible while also subverting expectations, director and writer Rian Johnson planted fresh ideas about failure in the Star Wars mythos. It gave us the chance to imagine Star Wars if it didn’t act like a formulaic blockbuster Star Wars film. Given full reigns to reinsert his own character development and plot, Abrams returned to throw everything at the wall and give fans the climatic finale they wanted. But it’s also one that we never imagined and might not have realistically needed.
After The Resistance led by General Leia Organa (Carrie Fisher) escapes The First Order, Rey (Daisy Ridley) is tasked with completing her Jedi training to take down Kylo Ren (Adam Driver). When the prince of darkness makes an unexpected reunion with the invincible Sith Lord Emperor Palpatine, both Rey and Kylo's connection to The Force will drive them to confront their biggest fears and darkest secrets.
This review contains spoilers from the film - read at your own risk.
Monday, December 9, 2019
Joker (2019) Makes Clowns Of Us All
Warner Bros. Pictures |
Living in the slums of Gotham City with his troubled mother, social outcast, party clown, and aspiring comedian Arthur Fleck (Joaquin Phoenix) struggles with his mental illness. As ruthless street punks, his boss, a late night talk show host, and society seemingly have out for him, Fleck wrestles to fulfill his aspirations of putting on a happy face and making the world smile. Subsequently, the ostracization he endures drives him closer to becoming the nihilistic criminal he abhors.
Friday, November 29, 2019
(Spoiler Free) Knives Out (2019) Resurrects The Who Dun It Genre
Knives Out / Lionsgate |
On his 85th birthday, acclaimed mystery writer Harlan Thrombey (Christopher Plummer) dies unexpectedly and leaves his entire family grasping at straws over his passing. Renown detective Benoit Blanc (Daniel Craig) comes in to investigate and teams up with local Thrombey fanboy Trooper Wagner (Noah Segan) and Detective Lieutenant Elliot (Lakeith Stanfield) to find out the truth. With a massive estate on the line, what is initially ruled as a suicide unravels into a much deeper mystery where everyone - Thrombey's goodhearted nurse Marta (Ana De Armas) and his whole family Ransom Drysdale (Chris Evans), Linda Drysdale (Jamie Lee Curtis), Walter Thrombey (Michael Shannon), Richard Drysdale (Don Johnson), Joni Thrombey (Toni Collette), Meg Thrombey (Katharine Langford), Jacob Thrombey (Jaeden Martell) - are a suspect for Harlan's murder.
Monday, November 25, 2019
Maiden (2018) Shows Courage Against All The Odds
Sony Pictures Classics |
Much more than a documentary, Maiden captures Edwards’s journey before she changed the competitive nature of sailing forever. As the crew’s cook Jo Gooding says, “If you believe in everything people tell you, you can't do, what would humankind have achieved?”. With captivating footage exploring the chapters of Edwards's life from childhood to adulthood, Maiden dives deep into the courage of the women who dared to do something different: not only be a woman stepping into a man’s world but compete the best that they could.
Thursday, November 21, 2019
Film Spotlight: The Fare (interview with Brinna Kelly)
Directed by D.C. Hamilton, The Fare immediately grabs your attention with its nostalgic atmosphere. A lone cab out in the middle of nowhere with nothing but two passengers, a mysterious radio show, and an electrical storm blocking their trip makes you feel like you’ve been transported into The Twilight Zone. There’s the natural sense, like with any sci-fi flick, that something else is brewing underneath the surface of what’s occurring on-screen. The use of special effects between the stretch of road Harris’s cab cruises over and over again as well as the black and white cinematography gives The Fare a production value of a much larger studio. Yet, as Penny and Harris’s relationship unfolds, the film also holds onto the intimate character experience of an indie, and lets the film unfold more than the initial sci-fi impression. Despite the seemingly simple premise, there’s a lot at play with the production between the characters and story, and Hamilton manages it with ease.
Similarly, some films falter when its cast can’t live up to the story, or the story engulfs the characters. But as a two-person show (three including the voice-over of Jason Stuart), it’s hard to believe how much the film relies and thrives on the deft performances of Brinna Kelly and Gino Anthony Pesi.
For Penny and Harris to work as individual characters reliving the same moment, as well as a partnership that evolves and flows with the story, their chemistry has to shine from the start. Even though the characters have been trapped together for an inordinate amount of time, their connection must be strong enough to sense that something else is going on between them – it’s not too fresh or too worn down to ruin the allusion of how long they’ve running into each other. They have a real interest in each other as well as a light-hearted banter and connection that makes you root for them. Both Kelly and Pesi exude that balance as their characters grapple with the routine of what they’ve experienced before as well as the startling discoveries that come along. It’d be difficult to believe that Kelly and Pesi don’t break out into the wider span of what Hollywood has to offer at some point, and hopefully The Fare will give them a bigger launching pad.
While this film works seamlessly together with the actors and production, The Fare’s greatest strength is its script. The direction and look of the film will grab your visual attention, and the performances will hook you emotionally, but the set-up of mystery and drama unfolds throughout Kelly’s plot with an impressive amount of pacing. The story rarely lags or feels overdone as the sci-fi element of a time loop gradually explores the loneliness of Harris’s lifestyle, the loss and yearning for connection, and contemplating the unknown. Kelly offers enough questions to keep you guessing about why and how the characters are trapped together, but doesn’t limit the characters’ own story. As the movie moves towards the ending, it’s surprisingly fitting how the film doesn’t throw in a twist just to be shocking as many sci-fi films manage to do. By all means, there is a twist - it’s not necessarily ground-breaking, but you also can’t say for sure you saw it coming. It fits well into the story that Kelly lays out, and depending on your guesses, should still leave you feeling satisfied.
Hamilton’s work on the production offers a visual appeal for longtime fans of The Twilight Zone, while Kelly’s script digs just as deep as Rod Serling’s character studies. Being forced to relive a moment or being trapped by the limitations of time has been done before throughout film and various genres – Memento, Groundhog’s Day, The Time Traveler’s Wife, and About Time, to name a few – yet none of them can quite compare to The Fare.
As always, I provide an honest critique for every film that I screen, and hope that you will check out the review and interview below. The Fare is currently available on YouTube, Google Play, and Amazon.
Friday, September 27, 2019
Judy (2019) Reminds Us Of the Woman Behind the Stardom
Based on Peter Quilter’s play End of the Rainbow, Judy covers the last year of the legend's rollercoaster life. Facing homelessness, bankruptcy, and a custody battle for her children, Judy Garland (Renee Zellweger) takes on a five-week engagement of sold-out shows at London's Talk of the Town. As she grapples with one more comeback and falls head over heels for a sketchy entrepreneur Mickey Deans (Finn Witrock), Garland struggles to keep her head above water as her final spotlight starts burning out.
With all that has been gossiped about Miss Showbusiness, how a biopic would grapple with her legacy is a question I've asked myself as a longtime fan of "Joots." At worst, I expected a repeat of scathing tell-alls that are more concerned with melodrama and anonymous sources; so much so that they ignore her humanity and tarnish her reputation. At best, I just wanted it to be better or just as good as other musical biopics. A well-organized, entertaining, and emotionally-driven tribute doesn't seem like a lot to ask for, but the last time I wished for a biopic of a favorite icon, I got Bohemian Rhapsody... To my great delight, this film hits most of the right notes.