Wandering Through the Shelves hosts Thursday Movie Picks. It's a weekly series where bloggers post and share various movie picks every Thursday.
Thursday, February 4, 2021
Thursday Movie Picks - Romance Tropes Edition: Fake Relationship
Wednesday, February 3, 2021
Quick Reviews: Shows I Watched In Lockdown (Part 3)

Below are my quick reviews of general shows - not really series - I watched over autumn/winter. Spoilers are included for The Bachelorette, football, game shows, and Atlanta.
Monday, February 1, 2021
52 Films By Women Challenge - Professor Marston and The Wonder Women (2017) and D.E.B.S. (2004)
Every week I thought it'd be fun to do a quick round-up of the film(s) I've watched for the challenge. I'm still playing catch-up to post my thoughts from the past few weeks. My next two films are directed by Angela Robinson - Professor Marston and the Wonder Women (2017) and D.E.B.S (2004).
Thursday, January 28, 2021
Thursday Movie Picks Television Edition: 2020 Freshmen Series

Wandering Through the Shelves hosts Thursday Movie Picks. It's a weekly series where bloggers post and share various movie picks every Thursday.
Friday, January 22, 2021
52 Films By Women Challenge - A Beautiful Day in the Neighborhood (2019) and Troop Zero (2019)

In 2015, the Los Angeles' Women in Film started a challenge to watch one film by a female director every week for a year. I've seen this floating around social media and movie blogs for a while, and always meant to join in. For 2021, I finally decided to try it out this year as one of my resolutions.
Every week I thought it'd be fun to do a quick round-up of the film(s) I've watched for the challenge. The films I chose for the challenge are on letterboxd - if you want to see the slate so far - but I'm not going in an particular order of alphabetical or chronological.
Since I started writing this series late, I'm playing a little bit of catch-up. My next two films are A Beautiful Day in the Neighborhood (2020) and Troop Zero (2019)
Thursday, January 21, 2021
Thursday Movie Picks - Police Detective
Sunday, January 17, 2021
One Night In Miami (2021)
Based on a fictional account of a real event, boxer Cassius Clay (Eli Goree), football player Jim Brown (Aldis Hodge), singer Sam Cooke (Leslie Odom Jr), and activist Malcolm X (Kingsley Ben-Adir) join together for an evening in Miami, Florida. The former three assume their reunion is to celebrate Clay winning his first world heavyweight championship bout, but Malcolm X has a more laid-back idea in mind - ruminate about their lives including faith, racism, Black excellence, and their futures.
Similar to a musical, dialogue-driven films can be hard to suspend our disbelief, especially when it's based on a play. One location with a limited amount of characters can feel heavy-handed. It might not be the biggest source as a box office draw or draw the most amount of movie-goers, but it’s a good start for a Hollywood veteran to make her mark behind the camera.
Thursday, January 14, 2021
Thursday Movie Picks - 2020 Releases
Wednesday, January 13, 2021
52 Films By Women Challenge - The Edge of Seventeen (2016)
In 2015, the Los Angeles' Women in Film started a challenge to watch one film by a female director every week for a year. I've seen this floating around social media and movie blogs for a while, and always meant to join in. For 2021, I finally decided to try it out this year as one of my resolutions.
Every week I thought it'd be fun to do a quick round-up of the film(s) I've watched for the challenge.
Saturday, January 9, 2021
Thursday, January 7, 2021
Thursday Movie Picks - Oscars Winners Edition: Best Picture
Wednesday, January 6, 2021
So, Tenet (2020) Happened
“Don’t try to understand it,” as scientist (Clemence Posey) declares in Tenet, the most concise way to approaching a Christopher Nolan film. You know that you’re going to get characters navigating a timey-wimey unraveling plot filled with exposition, amazing stunts, an ear-blasting score, and a suitable cast to carry it all on their shoulders. Where Nolan slightly fails with his latest mind-boggling adventure is with the following phrase, “feel it.”
Ironically, everything here is right out of Nolan’s staple of work. Similar to the clique of Inception led by Leonardo DiCaprio, Tom Hardy, and Jordan Gordon Levitt (or any of his previous casts), this ensemble meshes well together. John David Washington’s charisma draws out a tedious conflict with Kenneth Branagh, a friendly camaraderie with Robert Pattinson, and trusting warmth with Elizabeth Debicki. Despite the heftiness of Nolan’s script, they make a suitable crew who are easy to watch as their various cahoots unfold. Nolan also always packs his films with tactile stunts you won’t find anywhere else. With a story that helms the concept of moving forward and backward in time, there are sequences here that are on the same level of “the kicks” in Inception or the race to dock the Endurance in Interstellar - they'll baffle you with their practical effects yet ingenious execution. And instead of a dynamo score by the always-reliable composer Hans Zimmer, Nolan steps out of the box with Ludwig Gorannsson, who crafts an action-packed futuristic score that also blows out the dialogue.
Even though Tenet has these elements that are fun on their own, where the film goes “wrong” is how little there is to care about anything. While Nolan's plots are always a source of confusion for movie goers, I hate to flex I've never particularly struggled with them. So, Tenet isn't that hard to follow when the concept boils down to a cat and mouse chase locked in a time loop. But the script is too concerned with battening down the hatches to drop exposition and a completely forgettable subplot of an arms dealer using The Protagonist for their own means, that the story is left dry and cringe-worthingly cliché.




