Friday, December 18, 2020

Velcro: The Egg Hunters by Chris Widdop

Four books ago, I was introduced to the world of Velcro: The Ninja Kat by Chris Widdop. His anthropomorphize world of animals using magic and the ensuing conflict of corruption was a real treat to start reading. Now, his series is  coming to a close with the fifth book Velcro: The Egg Hunters – which he gave me a copy of in exchange for a review.

Following Tails Mask's widespread fiery attack that had brought an abrupt end to the Polluted War, the world has fallen into chaos. And in the ensuing confusion, many key players have gone mysteriously missing, including the villainous Tails Mask, as well as our hero, Velcro the Ninja Kat herself. 

Having now seen just how powerful and dangerous Magic can be in the wrong hands, war has once more been reinvigorated, as a new military faction known as the Phoenix Corps has arisen with the express task of eradicating all remaining Magicians the globe over, and have set their sights on those harboring solace in the Country of Rath. And meanwhile, several bands of bounty hunting Egg Hunters have also set out in order to cash in on the heads of the Magicians that have gone into hiding.

As every sequel picked up relatively where the last installment concluded, The Polluted War asks enough open-ended questions about the next phase of Velcro’s journey. The Red Easter left all of her friends in various locations and in the throes of heated one-on-one-battles, letting everything that they fought for burn down seemingly for good. As the country hangs in the balance the end of one war and the origins of possible another, there's time now to ask what is peace and how can that be accomplished instead. Similar to not necessarily starting where the last book left off, Widdop starts to thread new ideas of what it means to start over. I expected The Egg Hunters to pick up where it left off, but it defies a lot of expectations by not necessarily letting the same battle continue on forever.

Since the plot consistently set Velcro and her allies in motion to thwart evil schemes, The Egg Hunters features a new crew rising to take the place of The Devil Corps but it doesn’t feel like its repeating the origins of the war Velcro and her friends just faced. One of the common threads of the series so far was its theme of war and how it divided or united the characters – how it affected their decisions and actions to cast revenge or avenge friends and family, or believing in a cause that turned out to be nothing but empty promises. Without war so much at the forefront as much as it was in the past, this book is able to slow down more. This next part of his world seems like it has another fight up his sleeve of his characters, but it’s also more reserved than the one that came before. 

In many ways, this final book feels like a return to the start of the series when we were first introduced to Velcro and she was just starting to expand her knowledge and use of magic. After the previous books explored the feud with her brother Charlie and the training to become a masked vigilante, she’s now able to try to understand her own role with the resurgence of pro and anti-magic rhetoric, and as well as what she can do with magic now - to cast revenge for what happened with The Red Easter, to end magic for good, or save her friends by staying in the shadows. Since I’m trying to avoid spoilers, I’ll just say her discovery of how her disappearance had an impact on the world, and how her mythos continued after she was seemingly gone, was a real treat to see the typical defeated hero thrust back into their world of saving turned on its ear. Widdop’s always managed to create good backstories for his wide range of characters and ramping up all the stakes between them. With that part now taking more of a backseat, he’s able to continue building his heroine and give her a heartwarming and emotional end to her arc.

While Widdop definitely shows a gift for expanding Velcro's story, it is difficult to depart with how the story began and continued to tread for the past few books. Since the beginning, a lot of supporting characters, locations, and origins of magic were introduced and explored - a fair portion of them earned their own backstories and raised the stakes in overall the story. In contrast, The Egg Hunters really dials it back from that approach. Many of the minor characters might have just been smaller cogs in the whole wheel, but they kept the whole machine well-oiled and running. Their disappearance or just the allusion of what happened to them fits the story he was telling. But on the other hand, it's difficult to feel like their arcs matched up to hers as completely and satisfyingly. 

Velcro: The Ninja Kat series offers a fun adventure for readers wanting to look for a unique short set of books to dive into but offers a complete world. Sometimes it’s difficult to get involved in a series because the ending doesn’t always live up to the hype.But Widdop’s story expands and never loses sight of his ideas. Each installment added a new action-packed layer to his world-building and made the battle for magic (or against it) worth it. I enjoyed reading the series and to see the story conclude for now.

Rating: ★★½☆

Monday, December 7, 2020

Deep In Vogue (2019) Gives a Front Row Seat to Voguing

Inclusive spaces where LGBTQ+ and people of color can fully express themselves are an increasing rarity. Yet in pockets of club scenes and houses around the U.S. and the UK, vogue ballrooms continue to offer an exceptional underground beacon of hope and a lifeline. Taking a dive into a radical revolution of diversity and self-expression, Deep In Vogue explores the origins of voguing and peeks behind-the-scenes of the Manchester and Liverpool based houses as they prepare for their ICONS Vogue Ball.

Wednesday, December 2, 2020

Billie (2020) offers a riveting look at the jazz icon

In 1971, high school teacher and journalist Linda Lipnak Kuehl set out to write a biography of iconic singer Billie Holiday. After spending the next eight years collecting over 200 hours of rare interviews, Kuehl's work went released until now. Billie adapts her unfinished book to showcase an inexplicable thread between two women across racial barriers.

Similar to Marilyn Monroe or Judy Garland, Holiday's legacy sometimes outshines her humanity. As much as she's known as an incomparable talent, her reputation remains complicated for the challenges she endured. 

Holiday sang as if she survived every sorrow the world could throw at her. Her graceful voice was a part of her survival as she sang heartbreaking anti-lynching anthems that also highlighted inequalities of the time. While the documentary's main story runs linear from her upbringing until her death, it dives into what makes Holiday a formidable figure today. Kuehl was more than willing to ask tough questions about Holiday's experiences as a teenage prostitute, her fiery sexuality, breaking into the music business, and a drug addiction that made her the target of the FBI. In return, Kuehl was able to get raw answers from dozens of eyewitnesses – the pimps who made her work the street, producers who signed her and then couldn't protect her from racist audiences and reactions, high school friends, and fellow singers – and provide a critical view into Holiday’s life that doesn’t cut corners. 

What sets Billie apart from most documentaries is how unflinching the story unfolds and how relevant it is to the racial climate in the United States. Director James Erskine doesn't aim to filter the challenges she endures, postulate her reputation, or pass judgement. Using Kuehl’s audio as a timeline, he creates an overall portrait of Holiday by piecing together stock, archival footage, and televised performances to match Kuehl’s interviews. Though the outlook of Holiday is told from direct sources closest to her, and can sometimes be skewed based on their own recollection or memories, the visceral insight from the likes of Count Basie and drummer Jonathan “Jo” Jones explores her perseverance while the world and music industry criminalized her as a Black woman.

Since the documentary primarily focuses on Holiday, Kueh’s personal life doesn’t take center stage as much as it could. We are offered insight into Kuehl such as how she became interested in Holiday initially and what drove her to continue with the project even when self-doubt crept in. After she started the project and the years waned, her passionate involvement in digging for more insight led to an uncertain death riddled with unanswered questions. Her mysterious passing subtly opens the film as a marker, but it's not a consistent topic throughout. Though the full extent of her death is not fully delved into, her dedication lays a part of the foundation for the film. 

Rating: ★★1/2☆
Please Note: I was provided with a screener and provide an honest review. Billie is in select theaters and available on streaming on December 4th, 2020.

Friday, November 27, 2020

Happiest Season (2020) Misses the Point of Queer Holiday Joy

With Christmas right around the corner, Harper (Mackenzie Davis) hopes to treat her longtime girlfriend Abby (Kristen Stewart) to a special weekend getaway with her family. There’s just one problem: Harper hasn’t come out to her parents yet. To save face until she’s comfortable enough to own her sexuality, Abby goes along with pretending to be a straight roommate while hoping to seek her family's acceptance to eventually propose.

Tis the season to be jolly and gay. At least, that’s what Happiness Season would like a lot of us to believe. Marketed as a holiday movie for the gays (and straights) – yay! – it’s hard to believe how much nuance is packed into the first major studio backed lesbian holiday flick – another yay! – and yet makes a total ba-humbug mess of this coming out tale. 

(This review contains spoilers)

Tuesday, November 17, 2020

The Nest (2020) Proves The Family Makes A House into Home-Sweet-Home

Rory O’Hara (Jude Law) has everything going for him – healthy and happy kids Samantha and Benjamin (Oona Roche and Charlie Shotwell, respectively), and a wife Allison (Carrie Coon) who challenges him. Their life seems like paradise from the outside looking in, but an endless nagging of unfulfilled potential convinces Rory otherwise. Despite the challenges of uprooting his family across the world to start over, he takes a chance on a job opportunity in the United Kingdom even though it could potentially cost him the peaceful life they already have.

Friday, November 6, 2020

Quick Reviews: Shows I Watched In Lockdown (Part 2)

Since the Coronavirus lockdown started earlier this year, there's been more time to watch new television shows and revisit some of my older faves. I didn't think there would be so much time to watch as many series as I have so far, or that we'd be eight months later since March still trying to get control of the Coronavirus fall-out. 

Below are my quick (mostly disappointed) reviews of shows I watched over the summer. Spoilers are included for The Office, Ratched, The Boys, Lovecraft Country, and Watchmen.

Friday, October 23, 2020

Once Upon A River (2020) Unleashes A Promising Debut

Based on the novel by Bonnie Jo Campbell, 15 year old Margo Crane (Kenadi DelaCerna) lives on the Stark River bank with her father Bernard (Tatanka Means). After she endures a family scandal that leaves her ostracized from the community and other relatives, she goes in search of her mother who left a year earlier. As she winds down the river, she encounters strangers who help her heal and start over.

As Once Upon A River is told from Crane’s perspective, the film primarily belongs to Kenadi DelaCerna. She occupies almost every frame from beginning to end, which is a tall order for an actress making her screen debut. Crane is a quiet and thoughtful heroine who internalizes her experiences, leading most of DelaCerna’s performance to rest in subtle expressions, and to do so without losing your attention of what she is thinking and feeling. DelaCerna possesses a mature presence that brings Crane to life. A solid round of supporting actors also strengthens DelaCerna’s presence on-screen from a gentle teacher who takes her in as a hitch-hiker (William) Ajuawak Kapashesit to a trailer park dweller Smoke (John Ashton) who becomes one of Crane’s greatest allies and glimpses of hope.