5 Reasons To Finally Quit The Walking Dead

It's easy to write that I love The Walking Dead, but there might not be enough words for me to adequately show how much. For the past eight years, a part of my fangirl heart and brain has lived and breathed this show - its songs, its special moments, its amazing female characters, the recaps and anticipation of a new season on the horizon. But there comes a time where it's too painful or disappointing to watch the show decline beyond repair and the idolization chips away.

While The Walking Dead is still one of the most popular shows, fans have been dropping in droves for quite sometime. Lately, I've become a fan who's made justifications for why I still watch it: The worldbuilding isn't too bad. The earlier seasons are still great. There's still hope for something to change. But as season eight hits the half-way mark, and there's no going back after its unpredictable turn-of-events with major characters, I finally have enough gripes towards one of my all-time faves that I have to acknowledge them.

As a show I've been a hardcore fan of since the beginning, it's gut-wrenching to ponder saying good-bye out of my own free-will rather than the show officially ending in a blaze of glory. But the show has struggled to be consistent or return to the elements that used to make it so great for far too long. I don't want to quit something I love so much, but here are five reasons it's finally time. Are you sticking around for season nine? Let me know in the comments below!

I, Tonya (2017) is Pure Gold

Photo Credit: Neon

For nearly twenty five years, the complicated rivalry between figure skaters Tonya Harding and Nancy Kerrigan took the world by storm. In 1994, obsessed news outlets and the public tried to call the shots of how Harding attacked her fellow competitor to stay on top. Now, this time solely focusing on the former, I, Tonya ambitiously sets at least one side of the story straight.

Tonya Harding (Margot Robbie) was raised by her ruthless, narcissistic mother LaVona (Allison Janney) to be the best figure skater in the world. Determined and hard-working, she manages to become a U.S. Champion on her way to Olympic glory. Then her abusive husband Jeff (Sebastian Stan) and his lame-brain friend Shawn (Paul Walter Hauser) clumsily attempt to out her biggest competitor Nancy Kerrigan by whacking her in the knee. The attack instigates a worldwide scandal spiraling Harding’s fall from grace.

Taking a page out of Tonya’s book to be unpredictable and unvarnished, director Craig Gillespie’s film is not your typical biopic. More of a tell-all from Tonya and her family’s perspectives, the movie plays with different sides of the story because there never is just one. The movie is narrated by the four main culprits involved throughout Harding's life - Harding, LaVona, Jeff, and Shawn. As they describe their versions of events, history isn't concerned with looking back and over-fictionalizing  what happened. Nope, this movie's all about letting the people directly involved have the final word.

Through a wicked ride of comedy and drama, Harding is painted differently than how we might remember her. If one is looking for a catfight on ice, the movie is going to disappoint. Harding's life leading up to the incident and afterwards is depicted in a no-holds-barred, flipping her reputation as the victimizer against Kerrigan and showing her own experiences as a victim of domestic abuse. Delving into the normalized abuse Tonya suffered by her mother growing up, and then her husband, Robbie as Harding often breaks the fourth wall in the middle of being attacked or insulted, describing to those watching what's going on, how she feels and why the cycle continued. It's not the most typical or sensitive way to display what she went through growing up, but it's pivotal in showing how desensitized Harding had become to these normalized cycles and how big of a hit her self-worth ultimately takes.

By pushing herself out of her dysfunctional family, Harding is a scrappy warrior. As the film dives into the absurd, letting you be a spectator to her downfall and addressing how the media portrayed her, its offbeat style also creates empathy for her; to understand the purpose of skating as her Achilles’ heel; how she gets her self-worth from skating, how her ambition is a refuge and curse. The movie is wildly successful in its ability to be heart-wrenching and uncommonly funny. But never it never entirely absolves Harding for what happened to Kerrigan, nor uses any of the film's violence for cheap laughs.

What ultimately carries I, Tonya is the cast lead by Margot Robbie. Playing Harding from fifteen to forty-seven years old, the native Australian completely throws herself into the role from the mid-western speech to the second-hand make-up and costumes. As an actress, and a vital producer to the film and ensuring the movie was sensitive yet candid, Robbie creates a palpable image of Harding - a white-trash underdog who’s unvarnished personality didn’t fit the golden ice princess image. The film’s style has a lot going on, and Robbie manages to ground the audacious portrayal into something believeable. With her, the supporting cast Sebastian Stan, Allison Janney, and Paul Walter Hauser, morph what would be caricatures into real-life people that you really can't believe actually exist.

A big hand goes to the screenwriter Steve Rogers in balancing Harding as both a victim and victimizer; she was a bystander to her husband’s crime and also complicit in it. The film covers a lot of ground like class in America, the value of a person’s image over their talent, and a woman determined to break free. His writing bends and curves all over the place but never jumps the tracks.

Interestingly, as the movie focuses on Tonya more than Kerrigan, a lot of critics wonder what the latter thinks - especially since Harding serves as a producer and I, Tonya’s has been collecting accolades in Hollywood. It’s easy: she’s moved on and living her life. Even though the movie does not glorify and limits showing Kerrigan’s perspective, much of the social commentary about her  comes across as a projection of long-overdue sympathy. Considering that the movie explores society's judgement on them both, it's interesting to look back and see them both treated like a sideshow in this major circus; Kerrigan also became a salacious scandal, soon not living up to critic's expectations, with her attack being made into parodies and getting called out her on her own mistreatment to other skaters. It makes me wonder if we’ve moved beyond a place in cinema to explore people who are flawed and don't live on an imaginary pedestal that everyone is perfect; or that maybe the expectation for the movie was to pit two women against each other in a superficial feud.

I, Tonya is not a straight-forward investigation of ‘Who dun it’, trying to cleverly re-imagine who is the real culprit of attacking Kerrigan. The movie’s a true-crime soap opera, digging into a scandal that divided the world, the dark underground of figure skating, and a woman picking herself up from her bootstraps skates. The story swerves in-between being funny, dysfunctional, and dark, but as crazy as it gets, it never loses sight of Robbie as the star or the Harding as the story; it's pure gold.

Rating: ★★★

Have you seen I, Tonya? What did you think?

6 Best Rick and Carl Grimes Moments on The Walking Dead

The Walking Dead has always been about family; people from all walks of life who would've never met otherwise and trying to survive what the zombie apocalypse throws at them. But there's no bond bigger in the series than the one between Rick and Carl Grimes - a father trying to protect and keep his son alive by any means necessary. There's almost too many heartfelt, important moments between the two to list them all, but here's my take on the best of Rick and Grimes from The Walking Dead. (This post includes major spoilers of all the seasons so far!) Is this list missing one of your favorite scenes? Feel free to share in the comments below.

Third Time's Surprisingly The Charm for Fifty Shades Freed (2018)

Universal Pictures

Once upon a time author E.L. James penned a Twilight fanfiction that spiraled into a worldwide phenomenon known as the Fifty Shades trilogy. After cashing in a billion dollars at the box office over the course of three installments, the finale Fifty Shades Freed surprisingly ends on a confident note.

The Greys's love is on the line once again as Anastasia Steele (Dakota Johnson) happily ties the knot to complicated-is-an-understatement Christian Grey (Jamie Dornan). But not everything is good in kinky paradise. Surprises are in store for the newlyweds as an unplanned pregnancy uproots their attempt at a vanilla relationship, and Ana's former boss Jack Hyde (Eric Johnson) returns to hijack their wedded bliss.

Breaking free from Sam-Taylor Johnson's impressive yet awkward Fifty Shades of Grey, and James Foley's stilted sequel Fifty Shades Darker, the journey here is as smooth as its going to get. Writer Niall Leonard and Foley team up once again to helm the story and up the ante in the eleventh hour just enough to save two love birds who are idolized by their author and readers from being totally forgettable. Unfolding a slew of excitement at a solid pace, the action and romance surprisingly strives for 'a climax' fit for its fandom.

Leading the way in her final curtain call, Dakota Johnson gets her power back. Ana no longer tiptoes around Christian's issues as she becomes  more than pleased to challenge him for independence and her own desires at every turn. Chemistry still lingers between Johnson and her partner-in-the-red-room Jamie Dornan, but the latter is somewhat left in the dust as their characters' relationship morphs from his twisted psychosis to two hearts meeting in the middle. The couple are united in their love enough to deal with all matters kinky-sex-related or not, but it's ultimately Johnson's funny, vulnerable and bold transformation that matters most. She's finally given a fuller opportunity to grow the quirky, experimental ingenue into a strong-willed, fierce woman calling all the shots - Mrs. Grey Will See You Now if you dare.

Despite the fans holding onto being entertained for the final time, Freed's biggest flaw stems from its home studio leaving everything to the last minute. With a major lack of promotion and any industry-led interest, Universal didn't camouflage how quickly they wanted to unload the finale off of its slate.

Fifty Shades Freed doesn't have time on its side, barely hitting an hour and forty-five minutes to explore its fanfiction origins. Compared to its predecessors lingering at two hours each, the first awkwardly strayed from being a truer adaptation and the second had nothing going on except a humpathon, Freed isn't given the luxury of letting the story the build. Surely the production and costume aesthetics carried on from Darker are just as impressive here, but any standout moments are difficult to savor. Even the supporting cast making up the Greys's clan of family and friends, who were never more than appearance-makers before, are too fleeting to have a purposeful impact. Packed with action, comedy, and erotica, the script doesn't waste a single scene squeezing in as much as it can, but the film's pace is rushing towards a finishing line with nothing on its tail. One can only imagine what the cutting room floor looks like, leaving the series's true admirers to cross their fingers for an extended DVD for a fuller movie. Blink and you might miss the theatrical alternative.

Though fans forgave what critics and naysayers considered to be cinema sins, the Fifty Shades's road has been bumpy, to say the least. But let's be honest, Fifty Shades was never for the haters. The story was understood and beloved primarily by its readers and author.  From being inspired to try kinky sex with their own spouses to readers understanding abusive relationships, or just being curious about the books and starting discussions, there's still power in a story that hooked millions of women, who cherish and know what the characters mean to them. For them, it'd be silly and lazy to ignore the importance of this sensation written by a woman for women, something that is still severely lacking in Hollywood and even if the results are imperfect. The fact that its heroine goes out with a bang matters just as much.

Outside of its inner circle, Fifty Shades Freed is another one for the books and fans who will surely enjoy themselves. Foley manages to squeeze what's left of the original material for its worth with a script aiming to tie up all the loose ends. Even if it's comforting that third time's the charm, it's a shame the trilogy didn't have this kind of gusto from beginning to end. For even the most casual fan of its actors like myself, there's no denying the trilogy had a shaky start and middle, but for the ending, Freed finally manages to get it right.

for readers: ★★★

for me:★★☆

for everyone else:☆☆☆

2017 in Review: Best and Worst Movies

Another year of going to the movies is now behind us! The past twelve months of filmmaking has for better or worse been a little unpredictable. At the start of 2017,  I didn't expect then that the year ahead would be filled with so many polarizing films; ones that seemed to be universally loved or hated, where movie-goers were quick to write-off movies before they came out or have such visceral reactions to them afterwards. No two Best and Worst Movie lists are going to be the same, but it feels like that's true even more now. Below are my picks for personal favorites and least favorite movies from 2017. The next year already seems like it's going to have a lot of surprises in store. What were your favorites? What movie surprised or disappointed you? Let me know your favorite movies of 2017 in the comments!

10 Best Performances by Andrew Lincoln on The Walking Dead

The Walking Dead started with a sheriff waking up from a coma into the zombie apocalypse. After locating his family Rick Grimes became the leader among fellow survivors trying to live within the walking dead. and other survivors try to live among the walking dead.

What would AMC's hit television show be like without Andrew Lincoln? Since the beginning he's given the the fiercely protective papa bear, killer, and mercenary a questionable morality and enduring sympathy unlike any other that could've played him. When the storylines are intense, Lincoln goes all in guns blazing. When the storm calms down, Lincoln can be inspiring or heartbreaking, just as we expect Grimes to be. No matter the changes thrown towards his character, Lincoln manages his biggest struggles: to be an effective leader, to keep Team Family alive while watching some of them die, to relinquish living in a world of death, and determine what it means to be a human.

Sure, he can grow one hell of beard, and still look hot when he's covered in literal grime and guts, but it's been an awesome journey to see Rick adjust his ideas of law and order in order to protect his family. Despite the great, and sometimes plotholed-fill direction of the show, Lincoln delivers a great performance year after year. To celebrate this hero and anti-hero, here is a list of my favorite performances. (This post includes major spoilers of all the seasons so far!) What episodes do you consider to be the Best of Rick Grimes? I'd love to hear your thoughts in the comments below!

5 Favorite "Guilty Pleasure" Romantic Comedies

I don't believe in guilty pleasures. We all have books, movies, or tv shows that we love, but in other people's eyes, we're supposed to feel bad about liking. Why? 'Cause they're not masterpieces or universally praised? We're supposed to "hate ourselves" for liking something other people don't? I don't get it. Since it's the month of love, and romantic comedies are supposed to be the bane of "serious" filmmaking, I thought it'd be fun to share some movies I should probably feel guilty about but don't. Here are 5 Favorite "Guilty Pleasure" Romantic Comedies. What are you some of your favorite rom-com movies other people hate? Feel free to share in the comments!