Ready? Get set! Mark your calendars! Go! sums up how I'm feeling over the past week as several trailers dropped for movies coming up throughout 2019. Instead of doing a usual Trailer Reactions post to all of them (Avengers: Endgame will get its own post soon), I thought about just talking about the movies and tv series that are definitely getting some hype this summer.
What do you guys think about these movies? Are there any other trailers I should check out? Let me know if you're excited or disappointed in the comments below!
Saturday, March 23, 2019
Wednesday, March 20, 2019
Captain Marvel (2019) Proves Her Power
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Walt Disney Studios Motion Pictures |
On the planet Hala, Vers (Brie Larson) and her fellow alien race of Kree are fighting a brutal war against tyrannical shape-shifters called Skrulls. Curious and haunted by the mysterious dreams she has of another life, she escapes capture to Earth to uncover the truth about where she comes from and who the real enemies are.
Friday, March 15, 2019
Everything I Love About Captain America in Avengers: Infinity War
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Walt Disney Studios Motion Pictures |
Appearing in Avengers: Infinity War alongside a dozen other superheros, Nomad's appearance caps in at six minutes and forty-five seconds. But that doesn't mean his limited time isn't intricate to the longstanding arc of his own series. In fact, pinpointing how deep his appearance is in Avengers: Infinity War was a fun challenge to accept while waiting for the next installment Avengers: End Game. In continuing my series about Captain America, here is a breakdown of his role and the connections to his past films. Hope you enjoy! (This post is gif-heavy and click on the image for credit).
Wednesday, March 13, 2019
Fighting With My Family (2019) Shines A Light on Sharing The Dream
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Universal Pictures |
Based on the real life story, eighteen year old Saraya-Jade Bevis - popularly known as Paige - (Florence Pugh) who aspires to be a wrestler, is discovered by the WWE and becomes their youngest champion ever. Hailing from a small town in Norwich, England, Paige's dreams are not entirely her own. She shares them with her family - dad Ricky (Nick Frost) and mom Julia (Lena Headey) who runs their own wrestling association, and her brother Zak (Jack Lowden) who misses out on making his own fantasies as a WWE Superstar come true.
Saturday, March 9, 2019
The Imperfect Complexity of Jackson & Ally
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photographer Peter Lindbergh |
Wednesday, February 27, 2019
Mount Rushmore of Hot Beards
m.brown at Two Dollar Cinema is holding a blogathon called Mt. Rushmore of Movies, where fellow bloggers pick four actors, performances, or themes that they think should replace the U.S. Presidents on Mount Rushmore.
I've never participated in the challenge before and thought it would be fun to give it a go. If you follow me on twitter, you guys will know I have a type. And that is a dude with a glorious beard. If an actor (on my radar or not) cranks out some scruff, he becomes worthy of being displayed in a museum, or in this case, on a mountain for the whole world to bow down to. My theme was fairly easy to choose after some inspiration from Rambling Film and Mettel Ray. I started questioning my life choices after seeing their magnificent selection, but these are my picks for the Mount Rushmore of Hot Beards. If you think there's a beard I missed including in this list or should check out, let me know in the comments!
I've never participated in the challenge before and thought it would be fun to give it a go. If you follow me on twitter, you guys will know I have a type. And that is a dude with a glorious beard. If an actor (on my radar or not) cranks out some scruff, he becomes worthy of being displayed in a museum, or in this case, on a mountain for the whole world to bow down to. My theme was fairly easy to choose after some inspiration from Rambling Film and Mettel Ray. I started questioning my life choices after seeing their magnificent selection, but these are my picks for the Mount Rushmore of Hot Beards. If you think there's a beard I missed including in this list or should check out, let me know in the comments!
Tuesday, February 26, 2019
5 Changes The Oscars Can Take to Improve Next Year's Ceremony
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photograph by Craig Sjodin / People Magazine |
Saturday, February 23, 2019
Stars I Love: Emily Blunt
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Richard Phibbs - Harpers Bazaar UK January 2019 |
Emily Blunt can do no wrong. While I’m sure this isn’t entirely true because we’re all human and have imperfections, every time I watch one of her films, I’m always taken aback by her pure talent and ability to mold into different characters and seamlessly move from genre to genre. We never quite know what direction she'll take her career next, and half the excitement is watching her filmography unfold year after year. For me (and her husband John Krasinski), I guess you can say, I think she can do no wrong. And it's mind-boggling to think that she almost didn’t become an actress.
Friday, February 15, 2019
The LAMB Devours The Oscars: A Star Is Born As Best Picture
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Warner Bros. Pictures |
When the production of this musical-drama started coming together in 2016, most people were left scratching their heads: the remake of A Star Is Born had been circulating for years, rumored to star everyone from Beyonce to Leonardo DiCaprio, with director Clint Eastwood, until Bradley Cooper finally signed on to helm the project and Lady Gaga to make her debut in a leading role. Many suspected in the film's earlier days that it would garner the worst the industry has to offer known as the Razzies versus reaching the pinnacle of film-making at the Oscars. As possibly the only other rendition that rivals the most popular 1954 version starring Judy Garland and James Mason, everything that didn’t sound good through the grapevine managed to pull the film through to critical acclaim, memorable chemistry between its leads, and crowd-pleasing tunes.
The film follows aspiring singer Ally Campana (Lady Gaga) who falls in love with Jackson Maine (Bradley Cooper), a country-rock musician plagued by substance abuse. While her career takes off with the help of his belief in her talent, his begins to fall apart. Out of their attempts to love each other in the midst of fame comes a movie where almost every production element is the star.
Saturday, February 2, 2019
Serenity (2019) Delivers Justice to The Hype Train

Promo tours often limit actors from not leaking intricate or even obtuse details about their upcoming highly-anticipated films. Persuading audiences to see their project based on a trailer, the director's skills, and chemistry between the leading stars is a tricky sell and not something I envy. This marketing spin, usually left up to Big Important
Movies like action flicks and superhero sagas, has surprisingly worked for Serenity - an independent film with big names and an even bigger plot twist that's proving sometimes not shouting the story from the rooftops is worth its weight in tuna - I mean, gold.
Everyone on Plymouth knows everyone else’s business. There’s
no hiding who is sleeping with who, the gossip between tourists and locals, and
if someone’s venture immediately starts to flail. Plymouth is claustrophobic,
to say the least, for Baker Dill (Matthew McConaughey) - a washed-out fisherman obsessed with catching tuna,
drowning in the memories of his son and struggling to make ends meet. When his
ex-wife (Anne Hathaway) comes into town offering him $10 million dollars to kill her current
abusive husband,
Baker must be led away from a tempting payday that could push him further into madness.
The magic about Serenity is that, like a lot of action
flicks and franchise players, it’s best to not know a lot about it. Director
Steven Knight, either by pure happenstance or sheer insanity, wrote a script that
has a lot of things going for it – both good and bad. Namely, the story starts
off relatively simple – a hard-knocks guy trapped on a tropical island where
everything should be easy breezy, and it’s not. Like the insufferable heat, Baker is suffocating in "paradise" where every day becomes more lucid than the
last. It's within the film's most normal moments that the tension builds as Knight implores the cinematography and mood into a modern noir.
And, then eventually the plot grows out of control to instill the twist that has everyone talking. The plot’s swerve, in all honesty, is not that hard to miss. As Baker howls, shrieks and wallows in his sorrows and obsessions, Knight slides in clues and even straight-out tells you where the story is heading. Every shot aims towards growing intrigue (okay, maybe not the ones of McConaughey in the nude but still there's something to take away from those too) and holds the promise that if the audience just stays with it a little longer, they're in for a surprise. Thus, audiences shouldn't feel shocked by a film that is blaring what is going to happen, but all that suspense transforming into true hard facts is a real mind-boggler. It’s a storytelling switch so audacious that one is left not only trailing the breadcrumbs to assess everything the film had laid out before, but also coercing you to pull back the layers of a very surreal onion that only increases the confusion and captivation.
And, then eventually the plot grows out of control to instill the twist that has everyone talking. The plot’s swerve, in all honesty, is not that hard to miss. As Baker howls, shrieks and wallows in his sorrows and obsessions, Knight slides in clues and even straight-out tells you where the story is heading. Every shot aims towards growing intrigue (okay, maybe not the ones of McConaughey in the nude but still there's something to take away from those too) and holds the promise that if the audience just stays with it a little longer, they're in for a surprise. Thus, audiences shouldn't feel shocked by a film that is blaring what is going to happen, but all that suspense transforming into true hard facts is a real mind-boggler. It’s a storytelling switch so audacious that one is left not only trailing the breadcrumbs to assess everything the film had laid out before, but also coercing you to pull back the layers of a very surreal onion that only increases the confusion and captivation.
If the film is stripped of the plot twist, Serenity contains a level of tremendous detail by its head honcho in Knight as well as a genuine commitment by the cast. Between Baker falling apart over mysterious visions about his son to Knight's tonal shifts with Plymouth's idyllic aesthetic, the film makes for an adequate drama on its own. In particular, McConaughey and Hathaway give performances that reach varying levels of Nic Cage’s looniest cinematic moments as well as their career bests. Other supporting stars have more trouble finding their place in the story as they only make-up parts of the whole and nothing more. The film has its own set of ambitions to be "a serious film to be taken seriously", but also seems to confuse authentic mystery with being over-the-top.
To be honest, Serenity could've become a drop in the ocean of bargain bin movies – it has all the right elements
of a convincing contemporary noir and then it becomes something else entirely. It's hard to think about its stylistic intentions without feeling like some parts of it was a massive prank the audience stumbled upon. Without the instant-reactions of social media, there's a true chance this might've not gained its notoriety so quickly and for its cult potential to live on. And that’s sort of the
blessing and crux. Knight worked some kind of vision into his idea that might be worthy of watching once
and forgetting about, or revisiting
in five years with the sense that this movement of enthusiasm for the film was fun to be a part of. It breaks the
rules and defies expectations in the most unexpected ways, leaving 2019 into a rocky but awesome start.
Rating: ★☆☆
a gold star for trying
a gold star for trying
Have you seen Serenity? What did you think?
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