However, setting that aside, this is deeply flawed. Three different plots are taking place - Cletus Kasady's crimes, the cover-up of Shriek's death and her origins, and Ed/Venom's floundering relationship. Despite the fact that there's plenty of material to go-around, it's truly only the latter that's given room to grow. For everything else, the movie doesn't have time to flesh them out. The dialogue is spoken so fast it's like a tape-recorder stuck on fast-forward or the script assistant was holding a stop-watch. Once you settle into one scene, it's propelling to the next. The first two acts whirl by, that when the third act copy-cat battle from Spider-Man 3 hits, the pacing finally becomes steadier but tremendous whiplash kicks in. It's tough to recollect how much of the story leads to the ending because it feels like two seconds ago you arrived to the theater.
In comparison, Venom's running time is about two hours, where its sequel barely hits 97 minutes. The former was far from complicated with its paint-by-numbers origin story. But still, directing an actor talking to himself and trying to convey that he's half controlled by symbiote isn't an easy feat. And that running time lets Eddie and Venom's coupling grow stronger against their feud against Carlton Drake. Serkis' direction picks up where Ruben Fleischer left off with dry humor and CGI-packed action that the tone between the two films is almost seamless. Serkis aimed for the film to be lean to be as lean as possible, but if anymore of the story had been edited, there wouldn't have been a plot. Kelly Marcel's script doesn't feel it's the culprit as much as it could've been. Her script maintains the same vibes as the first film, which she was a co-writer on. She's helming this material as the solo writer and doesn't have trouble reigning in the different threads so they come together in an explosive showdown. But, it's that editing prowess that hinders what could've been.
But after everything is said and done, once the post-credit scene arrived with Tom Holland's Spider-Man, the race through the entire movie became somewhat clearer - Marvel wanted to plug in Spidey's next installment releasing this Christmas. Granted, the pandemic hasn't made movie-making or movie-going easy. Plenty of movies' production schedule and release dates have been bumped up, delayed, rinse, repeat. Venom: Let There Be Carnage wasn't an exception. But, Marvel is known for pulling in audiences with its cliffhangers for the past decade. And someone lost confidence in the film on its own to take its time to do what it needed to do for its fans before jumping into Marvel's ill-conceived timeline for phase 4. Now with the semi-average streaming machine of the Disney+ shows, What If?, and Black Widow (I have yet to see Shang-Chi and the Legend of the Ten Rings or The Eternals), there's nothing inventive or spectacular about Marvel right now. Marvel's going through the paces of keeping up with its own trajectory, and now other titles are getting hit with the consequences.