Movie Roulette Blogathon

Mettel's latest blogathon is such a cool idea. I couldn't pass up the chance to participate. Let's play Movie Roulette!

The rules are these: Pick five or more facts from a list she has provided. At random, choose a gif from one of her sets. Comment on the answers that you're given - if you want to.

Whichever movie gifs I grabbed became my answer for each fact. This was hard - I was tempted to keep picking until a more favorite movie popped up - but meh, I let it be. It was a blast! Stop by Mettel Ray for information on the blogathon if you want to join in and hope you enjoy!

Twister (1996) is the supreme disaster flick

Photo Credit: Twister / Warner Bros

Tucked into the disaster genre under classics like The Poseidon Adventure (1972) or flash-in-the-pan epics like 2012 (2009), Twister remains popular twenty years after its original theatrical release. Instead of focusing on an end-of-the-world or survival against nature plot, this flick is all about facing one of nature's awe-inspiring sights in order to understand its mechanics.
Jo (Helen Hunt) and Bill (Bill Paxton) are estranged storm chasers trailing several twisters across Oklahoma before their rival (Cary Elwes) beats them to the punch. Wrangled together by a contentious divorce, they lead a crew trying to release a data-gathering instrument to transmit tornadic behavior.

The film is as much of a love story as it is an action movie. Jo's passion for how tornadoes work was brought on by a tragedy during her childhood. Her near-obsession, now as an adult, affects her marriage and drives her daredevil ambition. Awesomely played by Hunt, she doesn't pull punches, knows how to get under Bill's skin, knows what she wants and gets it done. Like the cyclones, she takes command of every scene and everyone around her.

On the other hand, Bill is not diluted to a white-knight trope. Having accepted becoming a weatherman and planning to remarry, his stubborn, ambitious, and hot-headed nature pits him against her on always having the final word or being right. This also the biggest attraction they have towards each other. Though Paxton's acting may be a bit over the top at times, he and Hunt share good chemistry. Both characters have strong personalities and neither one softens who they are but try to make it work. It's refreshing.

Though Bill and Helen are as big of stars as the twisters, the supporting characters aren't flat or one-dimensional. With the exception of Melissa (Bill's fiance), she is the only real fish-out-of-water character who gets sucked into chasing tornadoes. Played by Jami Gertz, even she gives a sympathetic performance of being forced into the field for the first time and truly understanding what Bill did for a living.

Though their crew doesn't have deep arcs or development, they have a genuine presence in supporting Bill and Jo as revered leaders. There is a sense of camaraderie between all of them. Perhaps the biggest stand-out is a young Phillip Seymour Hoffman as Dusty, the eccentric adrenaline seeker. He has some of the best lines. Even the showy villainous role of Dr. Jonas Miller (Cary Elwes), whose greatest crime is going the corporate route and adapting their design of Dorothy to his own, doesn't feel like an empty role.

As much the film offers in terms of over-the-top '90s gold, it also harbors awesome special effects. Rather than being overwhelmed with CGI, which provides technical aspects that couldn't have been achieved in real time, the added force of on-set effects takes the green screen components to another level. Director Jan de Bont was adamant that the actors had on-set obstacles to play off until the tornadoes were digitally added in. He employed seven giant wind machines and two specially rigged jet engines to blow 200 mph winds as well as water (for rain effects). During the biggest chase, a two-story home and 18-wheeler were dropped by cranes into the actor's path. More impressively, Hunt and Paxton performed a myriad of their own stunts and suffered a laundry list of injuries.

With six major action scenes evenly paced, the movie does not feel overwhelmingly violent. The chases not only play to will they or won't they be able to disperse their data-transmitting equipment successfully but will Bill and Jo end up together. Every chase is spotlighted in its own way growing bigger in scale, more intense, and raising the stakes for the characters. Mark Mancina's score combines original score and heavy metal bands, adding a hardcore element to the adventure.

Twister has been one of my favorite summer movies, if not, one of my favorite movies of all time. One of the greatest wonders for this movie is just how many fans accept the fallacies of its science. It's not accurate, but blockbusters are meant to be a fun ride. Too many try to pack in a thin story that is burdened with a green screen everywhere and a variety of characters without any real objectives or chemistry. Twister isn't too ambitious that the effort doesn't pay off or fall to be too goofy that it's Sci-Fi channel unwatchable. The movie may not be perfect and doesn't depict twisters as correctly as many would like, but damn, it's fun and surprisingly doesn't suck. If you watch, hold on for your life!

Rating: ★★★

Have you seen Twister? What do you think?

P.S. And, as for that cow scene:

Real-life storm chaser Vince Miller gives high marks to the special-effects wizards who brought the cyclones to life. "There's a scene in the movie where a cow flies by," says Miller, a one-time consultant at the Weather Channel. "I've never seen anything like that. But there was a tornado in South Dakota in the '60s filled with flying rocks. It turns out the rocks were a herd of cattle. (x)

Memorable Songs from College

photography: ALASDAIR MCLELLAN

There once was a day when my drive to school was only thirty minutes. Finances and landlords being how they were, my family made a considerable move further from our closest campus: two hours away, to be exact. Since my schedule synced with my sister's, we did a lot of driving together. Though we make for a good pair of compatible road trip buddies, thankfully, we had some good tunes to keep us sane during traffic jams.

While driving home from school the other day I was thinking about how much music impacted my time in school; songs that entertained me during the drawl commute, kept me up late at night to study, and relieve stress. Hope you enjoy this list of memorable songs from my good ol' college days.

Feel free to share! What songs did you love or are memorable from your college experience?

Adele - Rolling in the Deep
Let's be honest: any hit song from her 19 or 21 record could be on this list.

Insurgent (2015)

For a teenage-dystopian film in a sea of teenage-dystopian films, how does it stand out from the crowd? As a person, how do you accept your individuality in a world that shuns your differences, or in Tris Prior's case hunts you down? Insurgent addresses these ideas as it reunites us with the franchise created by author Veronica Roth.

Civilians of a futuristic Chicago are sorted into a faction system based on five virtues; honesty, amity, selflessness, bravery, and intelligence. Heroine Tris Prior, who defies the norm by qualifying for more than one faction, is on the run from the power-hungry leader Jeanine (Kate Winslet) trying to eradicate those similar to Tris. The clash between an immeasurable hero and the society that can't confine her will inadvertently unlock secrets about the fate of their secluded world.

Taking us back to the Divergent world established by director Neil Burger in 2014, director Robert Schwentke separates this sequel from its predecessor. Every sequel gets a much grander stage than its prequel, and the sets, special-effects, and costume are not just familiar from what we've seen before but are improved upon. Amplifying its special-effects  and packing in much more gunfire, the action-packed scenes balances an empathetic portrait of Prior and delivers enough interest for the next installments - for readers and non-readers alike. With Schwentke attached to the next two installments, I look forward to how this world is going to grow.

While the film holds up in adventure, it also succeeds in bringing to light an individual defying the stereotypes of her society's enforced conformity. Like a million similar heroes we know in books and films, Prior is in search of accepting her identity. Defined as defective by the world, her evolution is not degraded or dumbed-down by other characters telling her who she should be. Instead, she is figuring it out for herself and that is the main draw. Though some of the script is not entirely organized, Priors' defiance of categorization is satisfying and rewarding as a viewer.

A great credit for the authenticity of the leading lady is Shailene Woodley. For such a young actress, she remains a versatile and intriguing talent. Equally, her main counterpart Theo James, continues to be a refreshing partner as her character's love interest, Four. Their relationship is not about coddling each other or playing cat-and-mouse with each other's emotions, which has tarnished the young adult genre. Together and alongside so many other members of the cast, the actors boost each other's performances and characters. Even if the story is centered around Prior, the film does not selfishly hold Woodley hostage to be a one-woman show. Everyone gives validity to their role whether it's leading or minor.

As a reader of the series, my only main con is that the translation of the world-building could have fared better. This is something I struggled with even when reading the novels, so the films are not necessarily to blame. The script does improve upon the motivations of Jeanine's hunt for divergents from the first film, however it can still feel disordered at times. While I truly look forward to Allegiant Part 1 and 2, part of my gripe towards the YA genre overall is that one story takes four movies to complete. Is this a fandom I love to be apart of? Sure, and each Divergent installment feels like its own stand-alone film. However, it's the in-between sections where I start to feel impatient towards the studios' prolonged cash-grabbers.

The Divergent Series is not trying to compete against the untouchable pedestal that has been emphatically (and wrongfully, in my opinion) gifted to The Hunger Games franchise. Instead the films are constructing their own world and heroine as best as possible. Compared to other aspiring series that were complete bombs due to horribly weak scripts or non-interest by audiences, Roth's series is managing to carve out a name for itself. The success of the series may not be in its ability to create a franchise-making logo of a bird encased by an inferno but the praise-worthy showcase of a layered heroine, visual aesthetics, and talented cast.

Rating: ★ ★

Wonder Women: Shailene Woodley

The young adult fandom is vast and growing, and there are a number of young stars moving up in Hollywood's ranks. While it's hard for many to pave roles in projects outside of their television or movie franchise, Shailene Woodley is a leading lady paving a path for young adult stars.

Despite her rising popularity status for starring in films like Divergent and The Fault in Our Stars, Shailene Woodley got an early start in show business As the central character in ABC Family's The Secret Life of an American Teenager, it could be said that my fandom for her started there. However, having never watched the show's episodes in their entirety, I might have seen clips of her characters' scenes on The Soup (an E!  television clip show that pokes fun at Hollywood's best and worst entertainment moments). Throwing teenagers into one cliche debacle after another was often how the show was regarded, Woodley came through the show's five-year running, she seemed to jump on everyone's radar in The Descendants.

For her first major film role, Woodley stood out as George Clooney's rebellious conflicted teenager who helps him track down her mother's lover. At first glance, she seems unabashedly outspoken and explosively reacting off of her father's guidance. Her insecurities are slowly unmasked as she replaces her mother as a maternal figure to her younger sister. During the award show season, Woodley gained momentum among the indie crowd earning Golden Globe nominations and a win at Independent Spirit Award. It was hard not to miss her as a young starlet to watch out for. Now three years later, her on-screen talent and off-screen personality are making monumental waves on me and Hollywood.

In The Spectacular Now (2013), Woodley stars alongside Mike Teller in about a young man floating through life and relationships. Sutter Keely (Teller) is not a slacker but numbs the pain of his father's abandonment with alcoholism and keeping up appearances in the cool crowd since his football days are long gone. As Aimee Finicky, Woodley is just a normal girl who falls in love with Keely. Their crises guide them through painful circumstances and courageously putting themselves first.

The best of the movie is in the performances themselves. Teller creates a complicated protagonist whose life is tied up in his abandoned father's ambition to live in the present moment, but he's not particularly motivated in school or life. Woodley, whose Finicky is confined by her mother's dependence, exudes patience, enthusiasm, and apprehension. Together, their performances are stellar, but perhaps more so for Woodley and her budding career in the genre.

For the time being as Woodley respectably portrays young women in a variety of dramas, her characters are significantly unique. Similar to her portrayal as Beatrice Prior in the big YA phenomenon Divergent (another female character trying to brave the storms of life and love), Woodley's characters are all young at heart but aren't cut from the same YA cloth. As she grows up on-screen as in real life, I'm excited to see where her talent leads her career from big blockbusters to the independent genre.

Perhaps most of all, I admire Woodley's candor and off-screen personality. Similarly to how much I could listen to Matthew McConaughey talk all day long, Woodley shares her interests beyond acting openly and passionately. It seems rare with young stars today to hear them share anything beyond one or two adjectives let alone some of their personal interests or their movie career with bold confidence and enthusiasm. Both aspects Woodley seems to be all the time.

Her easygoing personality makes it easy to listen her press rounds and read in-depth interviews. Often calling herself a "hippy dippy", Woodley stands by her organic lifestyle and her causes of being more environmentally friendly. Showing up on the red carpet with organic or without make-up, gathering her own water from springs and adapting a paleolithic diet to her life, she doesn't forcefully encourage people to follow her lifestyle but freely shares what she does. As someone who has always followed an organic lifestyle, it's refreshing to see a star follow through with her claims of loving nature and the environment, and not skimp out from photoshoot to red carpet event on her beliefs. Her frank nature doesn't necessarily mean the more personal a star is the more relatable or likeable I'll find him/her - I just like how she isn't afraid to let her free spirit flag fly.

Whether on the big carpet wearing gowns and sporting natural make-up, or hanging out at press conferences, Woodley seems to mix in every situation. Optimistic and happy-go-lucky, Woodley hangs out happily being in the moment. In a world where people are so cynical and judgmental, Woodley is down-to-earth. Bohemian and chic, she holds no expectations against others and holds no plans for the future - what will be, will be. In Woodley's own words, that's just rad and bad-ass.

Does Shailene Woodley inspire you? What's your favorite role of hers so far?

10 Favorite Cinematic Moments (A Fisti Blogathon)

Feeling euphoria from a film can be a rare experience. We go through a lot of bad, mediocre, and semi-good movies to discover the golden nuggets. The true gems remind us why we fell in love with movies as a kid or why we became movie bloggers when so many movies throughout the year can just plain stink. Most of the really good films are hard to get off of our minds because a certain moment touches us unlike any other.

As fellow blogger Fisti describes, it can be the way powerful music fills a scene, an actor bares his all, how scenes are seamlessly edited, and a grand climax to an adventure. Cinematic moments is the inspiration for his latest blogathon.

The rules are super simple, so simple they may as well not be rules, just suggestions. 

1) Pick a number between 1 and 100 (any more than 100 is just gaudy)
2) Choose that many cinematic moments that are either your all time favorites or ones that could, on any given day, be your all time favorites
3) Post them on your blog (or Tumblr or whatever) with the above header (or one you create for yourself)
4) Send me the link by either posting it here in the comments or getting ahold of me on Twitter ( @fististhoughts )

Thirteen scenes were selected as my favorites. I'm sure there will be more that come to mind later!

Before Sunset (2004)

Photo Credit: Before Sunset / Warner International Pictures

After a chance meeting on a train nine years earlier, Jesse and Celine reunite in Before Sunset with an opportunity to catch up on an evening that defined both of their young lives. The former published a novel about their brief intimacy, while the latter committed to her humanitarian efforts and struggled to find meaning in lasting relationships.

In film, a popular yet seemingly unrequited tale is how two people meet and fall in love by happenstance. The characters and circumstances run the gamut of cliches while also remaining monotonous and repetitive. Rather than feeling fulfilled by such movies, their endings are usually painfully ambiguous in leaving the audience to their imagination about whether or not such a chance encounter could have a happily ever after. As the Before series treks the path of storytelling brilliantly, it marvels not only over the chance encounter but its aftermath.

The first installment of Richard Linklater's series shows how you can meet someone when you're least expecting it. This second installment, in both heartbreaking and hopeful detail, shows how much one person can learn from another and love them so deeply even after such a short period of time. Both films are incredibly tender in the way romantic films usually are, but they are also realistic in portraying the buoyant optimistic nature of falling in love, and then the incompatibilities if it doesn't work.

By reuniting, they have to deal with their past and acknowledge what they shared together. Without any way to contact each other, having both failed to meet again in France as they initially planned, both inevitably go in their own directions.

Jesse's heartstrings are still worn so tightly on his optimistic non-confrontational sleeve that disguises itself as an American cynic. Every look atakerd he shares with Celine takes him back to the night where they met. Celine, who plays her emotions closer to the chest, was left in deep loneliness, and couldn't figure out how to proceed in relationships after Jesse. The reunion feels just right as both of them get their feet wet being around each other again. Slowly, their chemistry rekindled and emotions dare to challenge the logic of where they are currently - relationship and job-wise as well as geographically.

Unfortunately, so much time has passed. No matter how well they fit together and how right it seems, life and time is working in a different way against them. Like the first film, there is so much they share of their thoughts on the world, their emotions, and yet fate can't fix the realistic gap their lives are, just like when they were younger.

Ethan Hawke and Julie Delpy return with the exquisite and elegant appeal that makes both Jesse and Celine, respectively, perfect for each other - only if time hadn't dealt them a rotten hand. If there are performances I'll forever be shocked that missed the mark with award attention, it's these two. I'm not really sure it gets better than either of them.

Fittingly, Before Sunrise brought on the ascension of a love affair. Before Sunset begins to put to bed some of the hope we had previously. Much like a waltz, the story and performances dance together in perfect harmony. Though the story answers every movie goer's question of What Could Have Been, it does so with a fine balance of idealism and touching heartbreak. The two-person cast, script, and smooth direction of Linklater envelops you from the start. Strangely and wonderfully, the film leaves behind huge, emotional damage in its wake but a beautiful, deeply beloved one.

RATING: ★★★ Have you seen Before Sunset? What did you think?