Tuesday, May 15, 2018

What A Strong Female Character Means To Me

Women are more than cardboard cut-outs. But that's not often the way they are portrayed in pop culture. One term comes up a lot when the media or fandoms want to describe them, and that's Strong Female Character. In fact, that label comes up so much, I'm at a point where I don't know what it means anymore except that if there's a poster of a heroine wielding a weapon "she's a bad-ass and I'm automatically supposed to love her".

Recently I started thinking about SFCs, and how they're stuck with a copy-and-paste-personality of one part brawns and two parts boobs, measured by a standard that keeps moving and yet stands still. If a heroine is dismantling the system, she's automatically more interesting than the ones who stay behind to serve in politics or keep their families safe. If an independent bosslady falls in love, that's the only aspect of their life that matters. If the girl-next-door doesn't want anything to do with a guy, he'll convince her until she gives in; if an ingenue loves to learn, she's a hopeless nerd. Too often SFCs are experts at falling into one trope or having one mission, but fail hopelessly at everything else in their lives. 

When I think of my favorite female characters, they come from all walks of life in fandom:  Belle from Beauty and the Beast, Okoye/Shuri/Nakia from Black Panther, all of the women from The Walking Dead, Uhara from Star Trek, Princess Leia, Rey, and Rose from Star Wars. And the list goes on and on. They take on unique roles, sometimes the hardest ones if the writing is deplorable, and explore different arcs of a story, but they have a few traits in common: they're personable, layered, and multi-faceted. And that's why I started figuring out - what is a strong female character anywaysHow do you define Strong Female Character? Who are some of your favorites? I'd love to know in the comments below!

FRIENDS ALL AROUND!

*Chandler Bing voice* Where are all the FRIENDS? A lot of my favorite female characters actually lack this quality because there's an unwritten rule that women can only handle knowing one person at a time, or only being acquainted with women if they're fighting over a man. Men outnumber women 2:1 in movies and tv shows, and since challenging myself to be more in tune with this statistic, it's disheartening when you actually see this in action - no matter the genre. So a friendship between a woman and a man (or any gender), family members supporting or opposing the heroine, or even a female hero fighting a female villain, is a breath of fresh air.

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Have Their Own Agenda

Strong Female Characters are generally destined to save the world, but isn't it more interesting when they have their own agenda? If they're on the same side, they don't have to take the same route to victory; when they veer out of the lines of a predictable hero's journey. In Black Panther, Shuri is a genius whose shields protects Wakanda from every kind of threat you can imagine; Nakia is a spy who is loyal to T'Challa and wants to expose Wakanda to the rest of the world to help others who are lost; Okoye is a General of fellow female warriors who are loyal to the throne no matter what. They all love their country and are connected to Black Panther, but they have their own agendas, skills, and motives. And they're all passionate as hell about what they believe, they're willing to fight for it and use their voice. By contrast in Harry Potter, Molly Weasley and Narcissa Malfoy are both protective mothers and powerful witches but they fight for opposite causes...which brings me to...

So Bad They're Good

Strong Female Characters don't have to be a protagonist, or even the other phrase that I deplore, "likable". I don't know when this trend started, but liking an evil character does not mean we stand for what they believe in or support their merciless actions. For good reasons, Dolores Umbridge is considered a more hated villain than Voldemort in Harry Potter, but just like Minerva McGonagall, she has her own agenda and beliefs. Umbridge doesn't have any redeeming qualities and that's okay - some people are twisted and vile. As a lesser example for an anti-hero, Mystique from X-Men works for Magneto as his henchwoman changing her appearance to execute his plans, but she struggles with her identity, the woman she wants to be versus who others want her to be. She doesn't follow the typical cookie cutter superhero mold, and that's okay too. SFCs who are pure evil or don't fill the Goody Two Shoes's rule are still interesting and can be appreciated.

Their Bodies Aren't Backstories

Vulture collected fifty scripts detailing how women are described based on their looks versus personalities. As writers continually objectify female characters for their go-to backstory, the results of how often their beauty or ugliness was the focus more than their behavior was completely unsurprising. Unless it's done with nuance, i.e. Jessica Jones on Netflix, sexual assault, rape, domestic violence, or being murdered shouldn't be pulled out of a hat because writers "don't know how to write women". Not only is it entirely disrespectful to survivors and can trigger fans' own experiences, disposing a character's PTSD and removing her agency for the sake of it rarely contributes a genuine conversation or depiction about violence against women. It's only giving a harmful cycle more permission to exert power over women. At some point, we might as well stay headless.

 ♫I Don't Give a Damn About Your Stupid Decorations

The Bechdel test - which measures two female characters' screen-time talking about other things excluding men - is often the go-to test of labeling a woman as a strong female character. However, another great method is the Sexy Lamp Test where a character is determined by if she has as much impact to a story as a lamp. If a character is more than an extra, her choices and actions should have a cause and effect. But more so than that, how are other characters affected positively or negatively by her actions? If a character is confident in her skills, intelligence, beauty, etc. how does she stay confident? where did she get it from in the first place? If she has insecurities, why does she have them - bad relationships, bullied in school, a shitty society telling her she should be something else? So a Strong Female Character should know her value for herself and the story, and if she doesn't, at least give her something interesting to figure it out.

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 ♫Let's Get Emotional and Physical, Yeah!

If a man wrestles with his emotions, he's dark and brooding or he's an adorable puppy who needs a lot of love. His vulnerability is as effective as flexing his muscles or tearing off his clothes. If a female character shows her emotions, she is bound by them, called hysterical if she cries or shows anger, her extroverted personality makes her stronger than being introverted. To show physical prowess over any other trait qualifies her as unstoppable. But a woman can be emotional and physical. When a woman blows everything up, that's bad-ass. If she can also be a human being, and not just a human machine gun in tight suits, that's even better.

You Do You

Rarely, do we ever meet someone else who is "just smart", "just beautiful", "just sporty", etc. So why by default should I love Strong Female Characters because they are....strong? I can't do anything with characters who are one-dimensional. Not only is there's always more room for complex fictional role models, but it's too tiring to desperately read through invisible lines trying to find out why she's important to the story, who she is as a person, and feeling like there was so much wasted potential. (And, I already have enough existential crises of my own to take on more.) Women are more than one thing. Whether they're saving the world, running an office, raising kids, falling in love or staying single, etc., they can be kind, determined, impatient, empathetic, frustrated, outgoing, quiet, vulnerable, closed-off, happy, sad - whatever we need to be to come alive on the page or screen. We can be all the things.

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