Crimson Peak (2015) casts romance out of horror

Photo Credit: Crimson Peak / Universal Pictures

Set in the early 19th century, Edith Cushing (Mia Wasikowska) is a vibrant aspiring writer penning ghost stories. Her work is turned down by possible publications with editors suggesting to add a twist of romance, something she won't adhere to. When a mysterious aristocratic inventor Sir Thomas Sharpe (Tom Hiddleston) lures her into a whirlwind romance and marriage, she is whisked away to his and his sister's (Jessica Chastain) mansion after her father's death. But, there is terrible secret surrounding her new home and life. Edith's mother visited her as a ghost with a warning to beware of Crimson Peak. It is one that she does not heed until it is too late,

Like Cushing's novel, director Guillermo del Toro's highly anticipated gothic film is not about the horror, but romance. It's hard not to fall in love with the extraordinary detail of this world exploding with color and detail. The golden and bold hues of Edith's home before Crimson Peak is like a dream-like utopia. Her costumes and home are filled with warm oranges, almost like looking at her life with rosy colored glasses as we are too. In contrast, the slab of a castle sits on a wintry slope slowly slinking into a red-clay oblivion, illuminated with grays and sharp blues. Though not a horror or scream fest, del Toro creates a creepy and beautiful false sense of security for his heroine and audience.

Crimson Peak is all about the supernatural but not really. His ninth film is a haunting exploring redemption. Edith learns about the darkness of someone and then keeps on loving them. Thomas and Lucille are trapped by their pasts, and Edith is caught in the crossfire. Her natural curiosity and warnings by her mother inspire her to lurk deeper into the shadows of their dismal home that is literally bleeding with secrets. Ghosts and supernatural phenomena are more of a catalyst rather than a tool to scare; they're creepy and visually stunning but not necessarily "jump out of your seat" terrifying. It's a dark, enchanting fairytale with an aura of fear occupying such an opulent setting.

The cast here all provides some wonderful work. Mia Wasikowska is wonderfully spunky as Edith. She brings a natural charisma as a charming and innocent ingenue. When the stacks seem up against her, she is easily someone to root for. And, Tom Hiddleston makes that both a difficult and easy task. One gaze at him and it's not a struggle to understand how easy it is to be swooned by his mystery, no matter how a puzzle he may seem. (He also just looks really great in period clothing, and yes, we see his butt in a romantic-entanglement scene.) Jessica Chastain gives an exciting and gruesome performance we haven't seen before. Her transformation as Lucille is one that won't be forgettable for a while.

Crimson Peaks' has some cracks in the foundation - mostly to do with the studios' marketing. Posters and trailers promoted Guillermo's work as more horror than romance. While the film is creepy, it's not similar to the gore-fests horror movies are like these days with. In night vision handy-cam, CGI phantoms don't grasp an unsuspecting mother or father from behind and whisk them into a dark hallway. A scary doll isn't sitting in the corner casting possession over a house. Instead, the story is purely a romance with a ghost story at its center. It's not about surprise scares but suspense, but is it enough suspense without killer thrills is up to anyone who sees it.

Personally, I loved the story and the characters. My biggest wish that some of the phantoms such as Mother and cast a bigger spell and impact to the story, but it's a fun ride nonetheless. The production is truly spell-binding, and the experience is creepy at best and a little unfrightening at its worst. The movie suffers mostly from the studios' failure to market it well. There is a fine difference between gothic horror and romance, and Crimson Peak achieves the latter. If anyone goes in expecting the former, they're bound to be disappointed. I was spared that confusion and really loved it.

Rating: ★★☆

Have you seen Crimson Peak? What do you think?

The Walking Dead S6x03 Thank You

Photo Credit: The Walking Dead / Gene Page

Last weeks Just Survive Somehow (JSS) took on an even deeper message with this week's Thank You. What was a mantra for Enid has now taken on a new effect for the whole series and the fandom community.

The aftermath of the zombie hoard setting out for Alexandria continues to be answered. We witnessed how a narrow margin the civilians from the safe zone survived from the Wolves last week, but what would be Rick's plan to deter the walkers from the town's walls? What would his and the others reaction be to the atrocious violence that took place while they were gone? We find out!

The Walking Dead S6x02 JSS

Photo Credit: The Walking Dead / Gene Page

The premiere episode of The Walking Dead left us in turmoil as thousands of walkers wandered towards Alexandria. As the final moments of First Time Again faded to black, an unknown culprit blaring a truck horn instigated a domino effect to Rick's plan of directing those walkers out of a massive quarry.

For only the second episode of the newest season, JSS may be at the top of the pack of favorite episodes. When the producers and writers declared that this sixth season was bigger and better, they weren't kidding! It left us catching our breath after nearly an hour of action-packed gore and subtle character conflicts.

Dracula Dead and Loving It (1995) bats away the vampire's legacy

Photo Credit: Dracula Dead and Loving It / Columbia Pictures

Director, writer, and actor Mel Brooks is the king of parodies. No matter how many modern films come out satirizing horror or romantic comedies, no one can do it like the master. Best known for transforming Mary Shelley's tale of Frankenstein into a classic comedy, Brooks does so again with Brahm Stoker's Dracula.

Taking creative liberties from the classic tale, solicitor Thomas Reinfeld (Peter anacNicol) becomes a insect-eating delusional ward to Dracula (Leslie Nielsen), a vampire - obviously. They journey from Transylvania to London where he has bought a castle. Crossing paths with his new neighbors Dr. Seward, his daughter Mina, her fiance Jonathan, and his ward Lucy, Dracula's true identity is closed in on by vampire hunter Van Helsing.

Young Frankenstein, starring Gene Wilder and Peter Boyle, is one of Brook's most popular parodies. The 1974 comedy fares a little better with the production value than here with Dracula Dead and Loving It, but still, the cast is hilarious. Exchanging Gene Wilder, Madeline Kahn, and Peter Boyle, you get Leslie Nielsen, Amy Yasbeck, Steven Webber, and Harvey Korman. Even the good man himself Mel Brooks join the cast as Inspector Van Helsing, who is not as gung-ho and adventurous for taking down Dracula as we normally see his tale played out.

Brooks is famous for taking well-known characters and turning them on their ear, as well as producing original works that are purely wild and zany. Here he does the same with great exaggeration. Famous lines are altered for laughs. He pokes fun at the colloquial English terminology. Jonathan Harker and Van Helsing are convinced Sewards' ward Lucy has been turned into a vampire. When they try to stake her, he has to be realistically dowsed in blood. And, that's just the start!

Dracula Dead and Loving It is one of the many strange movies my grandmother played for me and my sister when she watched over us as children. While Brooks' filmography is certainly familiar to true movie buffs or comedy-aficionados, it's been wonderful and refreshing to see the cult following this 1998 flick seems to have on places like tumblr with movie lovers my age. This movie isn't as well-known as his other works, but it's got all the laughs to make it a worthy gem.

28 Days Later (2002) brilliantly infects the zombie genre

Photo Credit: 28 Days Later / Fox Searchlight Pictures

Zombies are "in" right now, thanks to mega-popular comic book/tv series The Walking Dead and films like Shaun of the Dead. In 2002, the undead was just coming back onto the scene thanks to a revitalizing spin from director Danny Boyle,

28 Days Later isn't exactly about an undead apocalypse. A virus causing a violent rage unleashes when an animal-rights groups' mission to rescue lab-tested monkeys fails. People don't die and come back as zombies though, as is the lore of the genre. The rampant disease spreads when uninfected humans come in contact with the carriers with contaminated blood or saliva. Instead the infected become animalistic having no conscious and are ignited with a bloodthirsty rage, but aren't technically flesh-eaters.

Jim (Cillian Murphy) wakes up in a hospital smack dab in the middle of the post-apocalypse. The streets are barren, the government has fallen, and the world appears to have emptied of any human contact - except for a stubborn and headstrong survivor Selena (Naomie Harris), and a father-daughter duo Frank and Hannah. Jim quickly learns the rules to surviving. If you are bitten, you're less than a few heartbeats from becoming one of them. Unless you've got no other choice: don't go anywhere alone and only in daylight.

Unlike the carnivorous savages people turn into once they are infected, the film itself doesn't try to be downright horrifying, but it definitely is. The opening scenes of Jim waking up to an isolated and unaware of the desecrated world, walking around a deserted London, is enough to put anyone on edge. Most of the film isn't out to make you jump from your seat but has the power of making you question what people are capable of when the end of days has arrived.

Jim (and his partnership to Selena) is one of the best and most hopeful dynamics of the story. The rules of civility changed the second he woke up from his coma and he has no other choice or chance but to commit to his and hers survival. He struggles to hold onto his old self but has to face the risk of becoming barbarous to stay alive. Though made to look physically shriveled and weak, Cillian Murphy is simply enigmatic. He's frail physically and emotionally, but he has a capability to make you feel like there's still a fire burning inside him somewhere.

Selena, played by the awesome Naomie Harris, is refreshing as a female character overall. Having endured loss and adapted to the eye-for-an-eye lifestyle she's been forced into, she is stubborn and pragmatic. She doesn't put up with any threats that might kill her - not even Jim at some instances. But, she isn't just kick-ass, or defensive, or holding on the edge of her rope; she's also vulnerable in taking a chance on Jim and what their life can be like in the post-apocalypse.

Acquiring shelter, food, and protection is one way to keep breathing one more day, but re-establishing normalcy and finding your family might be the best way to persevere. Their union makes us question if you have to turn into an animal because of other shady survivors and the "undead".

Boyle's film is not necessarily gory, but it's still unsettling because of his examination: the many ways humankind degrades when faced with a societal fall like this; what the fear of a disease will turn people into. This is a limited-character drama told with a rock anthem of survival. A grungy, urban violence is its setting, obviously devastating and gritty. Through a steady momentum of thrills, the film has pausing moments of poetry and hope of the future. Despite how many threats, both human and non-human, ravages what's left of civilization, there is still glimmers of benevolence, love, and generosity left. The characters just have to hang tight on, day by day.

Rating: ★★★

Have you seen 28 Days Later? What do you think?

Horror Movie Survival Kit Inspired by ManCrate

Halloween is the perfect time of year to watch scary movies. A group of high school students are attacked by Ghost Face. A hotel won't let you leave one of its rooms. A family won't leave the house they just bought, even though it's filled with poltergeists or ghosts. As we watch in terror as characters try to evade their serial killers or phantom hosts, at times don't we all think we have what it takes to survive a horror movie?

Well, we're in luck! ManCrates focuses on creating awesome gifts for men in custom wooden crates that he has to open with a crowbar. In celebration of the Halloween season, the awesome people at ManCrates asked me to come up with what I would want in my own dream crate that would help me and others make it to the end credits of a horror flick.

There are a few obvious essentials to surviving a horror movie like being familiar with the commandments and carrying a few in-case-of-emergency aids (flashlight, phone chargers, etc). When we're caught in the middle of a zombie apocalypse, or are pitted against vampires, it's best that we are prepared for anything. Here is a list of tools I thought would be awesome for a Horror Movie Survival Kit. Enjoy!

The Walking Dead S6x1 First Time Again

Photo Credit: The Walking Dead / Gene Page

In the fifth season finale of The Walking Dead, its concluding moments left us in an epic wake of confrontations. Rick, drenched in walker guts, gave an impassioned speech to the community's members and its skeptic leader Deanna. He declared that they needed to learn how to protect themselves from walkers, asking how many of you would I have to kill to save you? Pete, an alcoholic husband Rick had a previous violent brawl with, interrupted his rally cry and slashed Reg's (Deanna's husband) throat with a sword. Soaked in her husbands' blood, Deanna delivered a swift kill-order. Without the hestitation or moral conscious Rick used to exude, he executed Pete. Just in time one of the show's favorite characters and mysterious madmen Morgan walked in to witness it.