Sunday, March 5, 2017

The Walking Dead S7X11 Hostiles and Calamities

The Walking Dead Hostiles and Calamities
Photo Credit: The Walking Dead / Gene Page
Rick might be on a roll with getting new allies on board to take on Negan, but one innocent bystander still has to contend with being Negan's captive: Eugene. After Rosita failed to assassinate their new leader, the prized bullet maker was taken hostage and back to the Savior's compound. Hostiles and Calamities answered if or how quickly Eugene may join the enemies ranks.

The Walking Dead has always challenged fans to think about what they would have done in a character's position or a part of the zombie apocalypse. Each has their own way of surviving one more day either by scavenging, hunting, being a medical asset, conquering others or building a family. If there's one way that never thinks about getting ahead, it might be lying or concealing your butt off.

Dwight and Eugene were the stars of the latest episode, where we saw the inner-workings of the compound in very different ways.

Considering he tortured Daryl when he was previously hijacked in the compound, Dwight probably shouldn't be a character to care about, but he really is.

There's a certain amount of privilege that comes with being a Savior, especially one in his position - his own apartment, the ability to take what he wants from the community pool of supplies and food, and overall treatment of prisoners. But with every win for him i.e. force prisoners to submit their independence and perks, there seems to be a loss, like losing his wife and every piece of his morality.

Once Negan found out that Daryl escaped, Dwight was pushed to find out who it was and prove his own innocence. Left with a mysterious note, and the simultaneous disappearance of his and Negan's wife Sherry, Dwight returned to their former home where he found a goodbye note from her, admitting that when she signed up to Negan's wife and keep them alive, they both died a little inside. And that living a life like the one Negan has them forced into is just as worse as dying. She admitted to letting Daryl go because he reminded her of who Dwight once was.

Dwight has always had a certain ambivalence when it comes to being Negan. Certainly, there's a sadistic side to him that loves to be in control and have power, to yield orders down to other Saviors and enjoys sitting on his high-horse. But his morality is always in a contest with itself and the lengths he'll go to stay ahead of Negan.

With Sherry gone, he has nobody to bring to Negan. Given a run-in with the Saviors' doctor, Dwight takes the opportunity to muster up a story or two about Sherry having an affair with him and letting her and Daryl escape. The move saves Dwight to stay in good graces with the boss, but it obviously comes with a price - the doctor has thrown into the fiery pit to be killed.

There's also another side to his treachery and throwing the doctor under the bus, Dwight lies to Negan about Sherry's whereabouts. We know that she is gone, simply taken off  and we don't know where. But her husband tells Negan that she was killed by a walker as he was trying to get them home so she could be held accontable. And the affair with the doctor were merely more exaggerated details. Surely, Dwight got the doctor killed but in a twisted way, it's also an attempt to prevent Negan from leading a search for her, while simultaneously, saving himself.
Without anyone to pin Daryl's disappearance on, Dwight had to get creative. Same thing with Eugene.

Besides the hair game, Eugene doesn't have a lot of cool points, so he let his verbal skills save his skin throughout most of the apocalypse. The last time we really saw Eugene's deception was back in season five when he finally revealed to the group that he was not a scientist; that his lack of weaponry skills and ability to kill walkers would speed up his expiration date.  He's increasingly leveled up and built his stamina, but Eugene being taken hostage was surprisingly all about him playing the game and moving Saviors around like chess pieces.

Of all the attempts we've seen characters make quick, even miraculous getaways, there may be no other episode where Eugene was playing the game.

No doubt he's is an asset to the Saviors, and they knew it by charming him up with a bachelor pad of his own, access to electricity and pickles, even some of Negan's wives for a night or two. It's practically like he's back at home before the apocalypse playing video games and living a comfy life.

But he's also walking a tightrope of going back to what was comfortable for him and having to evolve into a better survivor. Not just to lie so other people do the dirty work, but pulling wool over people's eyes and camouflaging into the environment. Does he lie to lock himself in his room, or it is all part of a bigger plan?

He entertained Negan's wives by making home-explosives and playing video games. In his meetings to Negan, he proved to be a Doctor Smartypants by giving directions of melding the walkers to the fences, but also slyly seeming to be holding something back. While walking the compounds he witnessed Saviors on the lower end of the totem pole stealing supplies and used some of his privileges to his own benefit. When Negan's harems propositioned him to make a cocktail to help Amber commit suicide, Eugene mustered all of the random items he could get his paws on - a toilet bowl, a stuffed monkey, capsules for the drugs. He also figured out that the sex slaves were planning on drugging Negan instead of Amber, and for that he could get in big trouble and didn't help them out. Even though he was living like a king, Eugene was taking notes on what he can use later.

By the end of the episode, it was difficult to determine who team Eugene was on. When interrogated by Negan, he had no problem claiming he was Negan. But it's really the final moments of Hostiles and Calamities that was the most telling. Eugene and Dwight standing on their perch overlooking the walker backyard:
Eugene: Eugene. You’re Dwight. We are Negan.
Dwight: Yeah....
An episode dividing up the group again might not have worked like it did in the first half of the season. It's certainly a gamble. But the writing, directing, and acting made it intriguing enough to watch. Austin Amelio and Josh McDermitt might be supporting characters, especially McDermitt who used to have Michael Cudlitz or Christian Serratos to play off of, but they're really coming into their own.

The combination of Eugene and Dwight dodging suspicion and using their cleverness to their own gain might end up being one of the better aspects of the second half of season seven. In Twice as Far Eugene clamped down on Dwight's crotch, which isn't the greatest beginning of a beautiful friendship. Are they completely obedient or just walking on a leash until they can sneak away? Dwight is a mere Savior, while Eugene knows how to make bullets, so how long will it be before Dr. Smartypants ends up the furnace too? Will Negan catch on, and will they possibly team up to escape or take down the regime, or use each other to their own means?

Velcro: The Ninja Kat series by Chris Widdop

With a harrowing protagonist and imaginative setting, Velcro: The Ninja Kat by Chris Widdop brings a fun twist to the vengeance-driven hero.

This spirited adventure centers on The Ninja Kat, a feline who's vowed for vengeance and justice against the Devil Corps, a military organized that's waged war against its own people. For what reason, only the Ninja Kat knows. In a bid to stop the carnage before it's too late, the masked vigilante thwarts their evil schemes and infiltrates nearby regions to make alliances with survivors and give aid to prisoners. The tale's sequels The Green Lion and The Masquerade ventures further along Velcro's journey as the world becomes more aware of the Devil Corps. In this strange, new world, a hero and fellow inhabitants are pushed to join in the fight or succumb to evil.

Even though I'm not a seasoned reader of action/adventure, and couldn't remember the last time I've read a series with anthropomorphic animals, Widdop's trilogy was so engaging, it was easy to leave my bookish genre preferences behind. His cast of characters, who exhibit human intelligence and emotions as well as animal traits, are distinct from each other as they uncover dark, magical secrets.

That is most obvious with Velcro. The crusade to bring peace throughout the Country of Widows clashes with morals on how to do it. Obstacles along the way aren't just physical like combat, they're emotional. Every book guides Velcro to keep to the course and also look within. Being a warrior isn't just about combat, but coming to terms with a deeper meaning of revenge and justice, when to refrain or use the skills that have been learned, and the importance of family and sacrifice. From discoveries of magic, infiltrating the government, and providing help to flailing survivors, a moral compass lends itself to explore compassion, regret, frustration, impatience, and most of all, ambition and determination.

War affects everyone, and each supporting character has their own personal battle too. Velcro leads the revolution in an animated world populated by hamsters, bees, spiders, dogs, and rabbits - to name a few. A variety of personable and fun supporting characters are delightful, creepy and whimsical like Honey, a sassy and determined friend of Velcro's, to an evil scientist Spider. The Devil Corps may be attacking their own people, and the damage they cause may be their downfall. The victims they manage to leave behind turns many into fighters or allies, each one having their own distinct personality and motives.

The enemies Velcro duels against are clever and fascinating. In terms of world-building, if there is something that could be improved, it might be geographic details, but that's honestly just nitpicking. Every place Velcro treads are notably different by its culture and how Velcro is treated by enemies or allies, but it was a bit difficult to grasp where Velcro was at times without backtracking the story a little. Widdop's use of world-building gives villages and characters enough contrasting personalities where all of his threads tie together nicely.

Velcro: The Ninja Kat series offers thrills, humor, and heart. Widdop's adventure is perfect for readers looking for an enjoyable, short set of books to dive into. He's an engaging writer who comes into his own and improves every book. He has a true keen sense of describing what his characters are doing in bite-sized details.  Each installment picks up where the last one ended and takes you on an action-packed, offbeat journey with unique characters.  (And has inspired me to get a cat to call Velcro too!).

Rating: ★★½☆

Thursday, March 2, 2017

Working Girl (1983) spins the Cinderella fairytale in the workplace

Working Girl movie review
Photo Credit: Working Girl / 20th Century Fox
Tess McGill (Melanie Griffith) may not have an ivy league education, but she knows her value - a hard worker, creative, determined and a team player. Unfortunately, as a Wall Street temp, these qualities are taken advantage of by chauvinistic co-workers to treat her as a prostitute and to get overlooked by her bosses. Finally, when she's had enough, she risks everything to strike out on her own by posing as a high-end executive Katharine Parker (Sigourney Weaver) to make a business deal with a handsome investment broker Jack Trainer (Harrison Ford).

Though cliche and a little imperfect, Working Girl is a Cinderella story sprinkled with workplace sexism. McGill wants more than anything to prove her worth, share her ideas without a co-worker taking the credit and simply move on up the latter. Her age, gender and lack of former education hold her ambition hostage. In the most drastic ways like dressing up in her boss's clothing and setting up meetings with executives out of her professional league, she becomes her own fairy godmother. Women can be successful in a few different ways: stepping on people to stay atop the ladder, playing the game, or accepting their lot in life; using fashion, contacts, and an open ear as an opportunity to make their stamp.

The script isn't perfect, but it's a fun little romp to see who or when someone will catch onto Tess' extreme scheme. While posing as her boss, she has insatiable chemistry with the ever-charismatic Jack and tries to dodge other increasingly suspicious employees. Time isn't on her side as she cleverly pushes her ideas to the finishing line but risks people finding out she's just a secretary.

I’m not going to spend the rest of my life working my ass off and getting nowhere just because I followed rules that I had nothing to do with setting up.

Right away, Tess feels relatable, someone (a woman) who wants to work without involving sexual politics. This is primarily accomplished by Griffith as Tess; she's very subtle as a comedienne, quirky, and a fresh face that even now one would be interested in watching out for. You can see where she gets it as the daughter to Tippi Hedren, and Griffith's daughter Dakota Johnson carries the mantle now. As a second generation movie star, Griffith shares great chemistry with Harrison Ford whose dapper charm still holds up in the charisma department like hunks Clark Gable and Cary Grant.

Alongside Griffith for the ride is Sigourney Weaver, kinda unlike audiences have seen or are familiar with her before i.e. kicking ass and taking names in Aliens. Here, as Tess' boss and frenemy, she doesn't have a problem with stepping on people to get to the top, but she isn't entirely villainous. It's fun to question whether she is a true mentor or looking out for herself. Weaver is funny and sharp, and as usual, her character is not one to cross.

While the cast and story may be a little timeless, the movie is also a shocking refresher of the eighties era it's trapped in. The production design, and in particular, the costumes, are an astounding walk down memory lane, even if you didn't live through the era personally. The ginormous desktop computers, shoulder-padded suits, overwhelming perms, and gaudy make-up all come back to delight or horror.

Thirty years after this movie was released, equality in the workplace hasn't been fully achieved. The movie rightfully earned Academy Award nominations for its ladies: Griffith, Weaver, and Joan Cusack, as well as Best Picture and Director, and won for Best Original Song. Though elements of Working Girl might be outdated, but its scrappy heroine is funny, relatable, and elicits a serious case of go-getting.

Rating: ★★☆
Have you seen Working Girl? What did you think?

Wednesday, March 1, 2017

Beauty and the Beast Live Action Sneak Peak


Release of Disney's live-action remake of Beauty and the Beast is right around the corner. And the studio is pulling out all the stops. While the cast is on a world press tour, an eight-minute exclusive sneak-peek with costumes on display are open to park guests at Walt Disney World's Hollywood Studios in Florida and Disneyland in California. At Disney's Hollywood Studios, costumes from the new movie are on display and I was able to catch a sneak peak of the first five minutes!


The prop on display at Hollywood Studios is the red rose under its glass dome. And the costume is Belle's golden dress, which she famously wears during her and Beasts' iconic ballroom dance in the 1991 original film.

At Disneyland Resort in California, the costumes on display includes Belle's village blue dress, a map, an enchanted mirror, and a rose under the bell jar. I would've loved to see these in person too!

Sunday, February 26, 2017

AMC Best Picture Showcase Weekend 2017

Just in time for the Oscars, AMC Theaters holds a back-to-back marathon of the movies nominated for Best Picture. Given the option, movie buffs can see the nominees in a 24-hour marathon or over two weekends. This is a special event my sister and I have loved participating for the past seven years!

We typically attend both weekends, but having previously seen three of the four nominees - Manchester by the Sea, Fences, Hell or High Water, La La Land - we opted to attend this past weekend's event which included Moonlight, Lion, Arrival, Hidden Figures, and Hacksaw Ridge. These are my quick thoughts on what I saw with perhaps fuller reviews to come in the future. Check out my faves at the bottom and feel free to share yours in the comments below!

Friday, February 24, 2017

2017 Artwork Celebrating Oscar Best Picture Nominees

The Oscars are right around the corner. Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight are the latest cycle of films to be nominated for Best Picture. Only one nominee will go home with gold, but they've all generated inspiration for movie goers and artists. In celebration of coveting the big prize, here's another collection of artwork from around the web by very talented artists. Hope you enjoy!


Wednesday, February 22, 2017

The Walking Dead S7X10 New Best Friends

The Walking Dead New Best Friends review
Photo Credit: The Walking Dead / Gene Page
Rick's campaign trail to The Hilltop Colony and the Kingdom was a total bust to gain allies against Negan. The leader and his faithful followers have inadvertently encountered the back-up they need: a massive new group of survivors armed with countless weapons on protected grounds. Will Grimes have a chance to propose their ideas or face the consequences for trespassing? This recap includes spoilers for the latest episode - you've been warned! Hope you enjoy!

Monday, February 20, 2017

Favorite Oscar Acceptance Speeches

Award show season is one of my favorite times of the year. Ever since I was a little girl, I've dragged my family into the living room to celebrate one of Hollywood's biggest events of the calendar: the Academy Awards. It's the one night where I rave about my favorite celebrities, gab about the fashion, and get inspired with the humbling Thank Yous.

With one acceptance speech, I'm reminded that all the greatest stars of the silver screen are still are people who had a dream and their hard work paid off. In celebration of film, here are some of my favorite acceptance speeches - What are your favorite acceptance speeches? Feel free to share below!
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Cuba Gooding Jr for Best Supporting Actor in Jerry Maguire

Not only one of my favorite movies of all time but one of my favorite performances too. A partner to Tom Cruise's Jerry Maguire, Gooding kills it at his only client; eccentric, family-oriented, bursting with frustration Rod Tidwell. A deserved award for a deserving performance in a cut-too-early standing ovation worthy speech.

Christian Bale for Best Supporting Actor in The Fighter

An actor with a stable amount of performances that were so worthy of nominations. A longtime fan since seeing him in Little Women when I was nine, I was so happy to witness the night he finally knicked one.

Marion Cotillard for Best Actress in La Vi En Rose

She could win an Oscar for a Crest toothpaste commercial. A bundle of stunning nerves and grace, Cotillard expresses what everyone must think of when they run out of peers and family to thank.

Tom Hanks for Best Actor in Philadelphia

Words so beautiful and spoken so sincerely, there might not be a truer heavenly speech that tops this one. An equally wonderful speech is worth a look as well for his award-winning work in Forrest Gump.

Matthew McConaughey for Best Actor in The Dallas Buyers Club

McConaughey accepts an award in the only way most would expect, giving some life lessons to just keep livin' as the underrated storyteller he really is.

Hattie McDaniel for Best Supporting Actress in Gone with the Wind

For a heartbreaking performance and an award that broke down barriers, Hattie McDaniels gives a beautiful thank-you speech so full of heart and class.

Audrey Hepburn for Best Actress in Roman Holiday

Roman Holiday is not a movie I've seen yet, but I trust by the love of her work that it is well deserved. Her speech is the gentlest one ever uttered. Who couldn't listen to her soft voice all the live long day

Thursday, February 16, 2017

The Walking Dead S7x09 Rock In The Road

The Walking Dead Rock in the Road review
Photo Credit: The Walking Dead / Gene Page
The midseason finale in December ended on a rare high note for season seven. Rick finally moved on from his fear and need to provide for Negan, and decided to heed Maggie's words: let's go to war. After a cathartic reunion at the Hilltop Colony, the Sherriff is back in town. One question remained if he could get other groups under Negan's thumb on his side to rise up. This post contains spoilers - you've been warned!

The triumphant march into Gregory’s quarters in the midseason finale didn't last long - maybe a good ten minutes. Rick and the group (Michonne, Carl, Jesus, Sasha, Tara, Maggie, Daryl) tried to reason with him that they should band together and fight Negan. Their drive might be in the right place, but not their reasoning. Gregory is a mouse, not a cat, who's scared of his own shadow, has people working under him to keep his life cozy and safe, and they completely failed the satellite outpost mission. Why would he sign himself up and his people up for something like this again?

Tuesday, February 14, 2017

Where Did All The Rom-Coms Go?

Similar to studios releasing horror movies into theaters at New Years or Christmas movies in July, romantic comedies haven't been relegated to February releases in several years. But it still has remained a strange mood to adjust to when Cupid's month rolls around and there isn't a bundle of swoon-worthy films to enjoy a girls' weekend or single's dalliance at the theaters. In fact, looking at the next year ahead in 2017, only a handful of romantic-centered movies are coming out in theaters or on a streaming service like Netflix. And the lack of popularity of this once inescapable genre makes me ask: where did all the rom-coms go?

While pondering about recent releases at home and in theaters, I reasoned that my inability to find more options was because my own personal tastes for this genre are limited. Generally, I like to be swept off of my feet, but prefer rom-coms where the characters aren't around to fill a 'swooning' quota, the script offers dynamic dialogue, and the story has something other to offer than just two people falling in love. Mostly, I don't like to watch comedies where guys just ogle the girl-next-door or use women for their own macho rivals with other bros. My favorites run the lines between You've Got Mail and Bridget Jones’s Diary to sweeping epics like Titanic and Pride and Prejudice - basically flicks that could be denounced as a romantic movie at a glance but I'm not compelled to defend its chick flick sensibilities.

In looking back on films in 2016, I realized the grand sum of what I had seen was two: How To Be Single, a hot mess about three women learning to be single by not being single, and Pride and Prejudice and Zombies which pits Elizabeth Bennett and Mr. Darcy against the zombie apocalypse.  Even though my own preferred style of rom-coms is limited, I was hard-pressed to find not only rom-coms where the women are swept off their feet but lifestyle movies - where women are as focused on their career and family as they are on their relationships - and came up short. Whether released online or in theaters, around or far-away from Valentine's Day, the genre has slowly started to wither away.

But if rom-coms aren't as popular as they used to be, have they subtly transformed into another genre altogether that we just can't recognize them anymore.

There's nothing inherently wrong about movies where women find the love of their lives. We escape from real life in many ways, and surely, one of them is to have an amazing designer wardrobe, high-profile job, and finding fervent fantasies with Mr and Mrs Right through our celebrity crushes. However, considering some of the biggest money makers or influential actresses over the past few years, women flocked to theaters to see many different types of movies, and yet the genre hasn't been able to maintain its previous influence:

The Devil Wears Prada put Anne Hathaway and Emily Blunt on the map as assistants to a powerful fashion magazine editor played by Meryl Streep. The movie focuses on the duo getting ahead in their careers and the double standards of female bosses versus men.

Magic Mike flipped the tables on women as the typical eye-candy by turning Hollywood’s hottest ab-actors like Channing Tatum and Matthew McConaughey into strippers.

Bridesmaids, with Kristen Wiig, Melissa McCarthy, Rose Bryne, and, was the female answer to The Hangover, where competition between a maid-of-honor and a bridesmaid causes chaos before a friend’s wedding.

Over the years, rom-coms have changed from the inside out. Thanks to the likes of comedians like Melissa McCarthy, Sandra Bullock, and Kristen Wiig, women have moved into the comedy genre where their characters purely bring on the laughs instead of the love. Meanwhile, other actresses like Reese Witherspoon and Julia Roberts have grown out of the  'American Sweethearts' image to take on more mature, complicated roles, and more up-and-coming actresses strive for complex roles in indies and dramas than the typical boy-meets-girl route in young adult.

Just as moviegoers want to see more dynamic women in science-fiction, fantasy, and action, women in romance have come to closely resemble real women living next-to-normal lives. More subtly, other types of movies focusing on relationships or singledom have come to the forefront in the form of independent movies focusing on heartbreak or topical social issues: A broken marriage was torn to pieces with Michelle Williams and Ryan Gosling’s characters in Blue Valentine; Joseph Gordon-Levitt went through the complicated seasons of love to co-star Zooey Deschanel in the indie 500 Days of Summer; a comedian played by Jenny Slate faces having an abortion after a one-night stand in Obvious Child. And if a film still centers on a women's love life, the dynamics of stories we used to know like the back of our hands have changed: characters aren't limited to just being completed by someone else, women befriend other women without becoming enemies or fighting over the same guy, and are starting to prominently feature LGBTQ couples and minorities.

In asking myself where did the rom-com genre go, I also have to ask how it has changed. It hasn’t necessarily gone anywhere – just that the ones we're used to are on a break. To have any sort of comeback at all, the genre has to become smarter, well-rounded, and inclusive.


What do you guys think? Do you miss rom-coms? Let me know in the comments below!