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| Warner Bros Studios Pictures |
The importance of family, power of love, good vs evil – the Harry Potter series was a master at being a universal phenomenon. No matter where you came from or how you found the story, author J.K. Rowling offered a doorway into storytelling as easy as flicking your wand and make-believing you were a witch or wizard on your way to exploring her wizarding world. Ten years after her first series ended, and the start of a new chapter has begun, it's a little clearer with the Fantastic Beasts series that the story we loved is not as accessible as it used to be - whether you’re a die-hard fan of the series already or just curious about the franchise's future.
Following Newt on his adventures, the second Fantastic Beasts film travels to the Paris wizarding world where Gellert Grindelwald (Johnny Depp) promises freedom for his growing, loyal band of followers who want to be liberated from the shadows of the No-Maj/Muggle world. In trying to stop his rise to power, Albus Dumbledore (Jude Law) requests the help of his former student Newt Scamander (Eddie Redmayne). Meeting in the middle are both foes and friends alike - Tina Goldstein (Katharine Waterston), Queenie Goldstein (Alison Sudol), Jacob Kowalski (Dan Fogler), Credence Barebone (Ezra Miller), Leta Lestrange (Ezra Miller), Nagini (Claudia Kim), and Theseus Scamander (Callum Turner) – who called to decide which side they are on.
To say the least, there’s
a lot going on in
Fantastic Beasts: The Crimes of Grindelwald. Where the previous film
Fantastic Beasts and Where To Find Them was a mere appetizer, its follow-up is the meaty hook of what’s ahead. With three more installments on the way, Rowling as screenwriter employs all the world-building and story-development she has at her disposal– introducing new characters, uniting or pitting familiar faces against each other, and trying to connect her novels to this other set of adventures. Her revered imagination and ability to weave her ideas together is the film’s best and worst assets.
To the sequel’s long-awaited credit, there’s no way that you can’t not feel like this film gives you your fill of exploring the wizarding world. From returning to Hogwarts to seeing new avenues of the French wizarding world, every stone feels unturned as the intricacies of the impending wizarding war connects to all of the characters’ journeys and motivations. Unlike any of the Harry Potter films he’s directed before, David Yates sheds the constricted nature of his previous installments from Order of the Phoenix and beyond to make this film as gorgeously grim as it can be. He and cinematographer Philippe Rousselot creates fresh and interesting angles of the world we love that we haven’t seen before. With every fresh installment of the phenomenon, the escapism gets better and better from James Newton Howard’s ominous score to the glorious production design by Stuart Craig. Every time you think you’ve seen what this series has to offer, there’s more around the corner - that reason alone is what keeps fans coming back for more.
Story-wise, the film also has a lot of intricate moving parts with the characters and doesn't shy away from making this the darkest entry in the Harry Potter and Fantastic Beasts franchise. Primarily, because of Grindelwald. Similar to Voldemort, he is a grave threat against the wizarding world, a master behind the curtain pulling all of the strings. The entire ensemble is in one way or another an outsider- they don’t fit in with their peers or society. Some are searching for their long-lost identity and validation (Credence, Leta, Nagini); others have weaknesses that can be exploited by Grindelwald or help them take a stronger stance against him (Newt, Tina, Queenie, Jacob, Theseus, Yusaf). And because of that, we truly get a sense of how powerful he is by how he uses other characters as a pawn for his vision. As moviegoers, we're left to watch what Grindelwald is capable of, and root that our favorites don't fall into his cat-and-mouse schemes. As much as the film is darker in its tone and explores human nature more, there's also a lot of lightness to be adventurous, romantic, and charming. Unlike Fantastic Beasts and Where To Find Them, this installment has a better balance of flipping between both styles.
